Secret Diary

Rate It! Avg: 2.5 (64 ratings)
ALBUM INFORMATION

Total Tracks: 10   Total Length: 39:43

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Whoa...

KeyPlayer

On hearing this, I had to LOL (seriously :-). Totally unlistenable...

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Useless

anistropsim

After hearing "Night Ripper" and "Unstoppable", I`m going to assume this was his first shaky attempt into computer music.

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I can hear you, but I'm not listening

ChicagoAtlas

I'm not going to rate the album, but just look at the label if you want to know what the music will be like. This is noise. This is experimental. If you're looking for a cohesive melody, look elsewhere. I think that a lot of this overly-glitched-up sound was an attempt to turn pop music into common domain art. 1/3 fu*k you to the music conglomerates, 1/3 don't bother to sue me because I only used a small sample and no one can mistake it for the original, 1/3 it's art. In later releases he's got a lot more overt in his sampling, therefore more melody. Is this just a fad? Is this truly a challenge to the music establishment? Time will tell.

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Crap

Redbudgood

Don't waste your time. You will just be pissed.

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Where's The Damn Night Ripper??

bttb

It used to be on here!! I didn't get all the songs that I so desperately require!!! Anyway, this shit makes me want to jam an icepick into my ear.

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Terrible

Castellano

Having completely fallen in love with their more recent 'Night Ripper' release, I was excited to discover this older album on emusic. What a disappointment. As others have commented, it's hard to describe the noise and terrible samples on this record as anything but incredibly annoying. If nothing else this shows how far Girl Talk have come with the fantastic Night Ripper release. Secret Diary is definitely one to avoid.

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Distortion is fu||

bluevelvetelvis

So yeah this is VERY glitchy. But IMHO thats a good thing. Its more aggressive and dissonant than Night Ripper. If you can make it past the first song, you will probably dig this. No matter how it is remixed I very much never want to hear "Let's Get this Party Started". Actually I take that back; I would like to hear a mix the Girl Talk version with an added track of Jenna Bush puking on one channel, but yeah.. screw that song. As for the album as a whole, basically, if you like more experimental tape manipulation stuff ala the Negativeland, the Tape Beatles, John Oswald, you will probably dig this as much if not more than the insane party friendly Night Ripper. I like both, but this one is definitely more fucked up and that has its value. Night Ripper is definitely more "listenable". But listenable is where you find it.

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Sounds broken!

Edwina

RevSick is right. This is so disjointed and glitchy that I honestly assumed that eMusic had stuffed up the recording. There is very little to cling to on this record. Nothing like the accessible chirpiness of Night Ripper. Steer well clear, I say.

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Artistic wankery

RevSick

While I like myself some noise, but I feel I must warn those who came to discover Girl Talk through the very listenable almost dance-enducing Night Ripper that this is a very different animal. It's glitch heavy sampling at it's most chaotic and it's almost untilligable noise for the most part. Waste of ten credits IMO. Get Night Ripper and call it a day on Girl Talk.

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They Say All Media Guide

The chaotic orchestral-noise sounds of Greg Gillis’ Girl Talk is loud and abrasive on Secret Diary. The frenetic pace of some of the songs is downright confusing at times, with the listener mentally rushing to figure out the method to the madness. Gillis is somehow able to piece together some timeless pieces of music into a dizzying, yet listenable, collection of collage songs. The disc starts, appropriately, with “Let’s Start This Party Right,” which is chock-full of computer samples and a wealth of infectious beats. What follows is a lively and irreverent cover of the Jackson 5′s “I Want You Back.” Cyndi Lauper, Jay-Z, Destiny’s Child, and C&C Music Factory are also borrowed from to create an album that is refreshingly new, despite its use of very familiar songs. “What if…” is a noisy and eclectic take on Sheryl Crow’s cover of Joan Osborne’s “What if God was One of Us.” He mixes rap and abrasive electronic beats on top to create a truly original sample. The use of the Price is Right theme song on “Unicorn Vs. Gravity” is pure genius. On “Fun in the Sun,” he blends a deafening series of beats over the Fresh Prince’s “Summertime.” Matt Wellins collaborates with Gillis on the disc’s final track, the disorienting and ambitious “Friends 4-Ever.” With Secret Diary, Girl Talk impressed many in the electronic noise community. Illegal Art released the disc in 2002. – Stephen Cramer

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