| 01 |
Harold en Italie, Op. 16: I. Harold Aux Montagnes. Scenes de melancolie, de bonheur et de joie Artist: Sir Colin Davis
|
14:15 | ||
| 02 |
Harold en Italie, Op. 16: II. Marche des pélerins chantant la priere du soir Artist: Sir Colin Davis
|
8:00 | $0.99 | |
| 03 |
Harold en Italie, Op. 16: III. Sérénade d'un montagnard des abruzzes a sa maitresse Artist: Sir Colin Davis
|
6:30 | $0.99 | |
| 04 |
Harold en Italie, Op. 16: IV. Orgie de brigands. Souvenirs des scenes precedentes Artist: Sir Colin Davis
|
11:41 | ||
| 05 |
Les Troyens: Act IV, No. 32 - Marche pour l'entree de la reine Artist: Sir Colin Davis
|
1:26 | $0.99 | |
| 06 |
Les Troyens: Act IV, No. 33a - Pas des almees ballet Artist: Sir Colin Davis
|
4:29 | $0.99 | |
| 07 |
Les Troyens: Act IV, No. 33b - Danse des esclaves ballet Artist: Sir Colin Davis
|
4:15 | $0.99 | |
| 08 |
Les Troyens: Act IV, No. 33c - Pas d'esclaves Nubiennes Artist: Sir Colin Davis
|
1:36 | $0.99 |
Tabea Zimmerman understands that this is not a viola concerto and plays with subtlety and perception. Colin Davis, who has probably done more for Berlioz than any other living conductor, draws playing from the LSO of the highest order. Altogether the best modern performance of this music.
I know Harold en Italie quite well and was looking forward to this, but I found it insensitive and rushed. All the emphasis seemed to be on sonic impact. The subtle story, the narrative, is totally lost.
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