Progress Reform

Rate It! Avg: 4.0 (61 ratings)
ALBUM INFORMATION

Total Tracks: 7   Total Length: 32:14

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Romantic Tragedies

Artemidorus

An amazing band. Songs about tragic figures and the events they inspired from history, no other band around can create such drama, empathy, or sympathy for their subjects in the way this band can. Amazing live show too.

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Romantic Tragedies

Artemidorus

An amazing band. Songs about tragic figures and the events they inspired from history, no other band around can create such drama, empathy, or sympathy for their subjects in the way this band can. Amazing live show too.

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No Reform Required

Gramon

Easy on the Post-Rock... reminds me a touch of Interpol or the Editors crossed with Mogwai. Highlight 'The Beeching Report' which uses a male choir to devastating effect.

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splendid!

JulianK

great discovery. downloaded it here and after listening to it a few times, ordered the cd right away. Smart, ironic and yet very emotional.And for once a a lead singer who doesn't sound like a million of others. which the singers of so many of the new and hyped bands unfortunately do.

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promising

HB

a real grower, shoe gazing music maybe, reminds me of a band called the workhouse. sort of sigur ros but more miserable. or a bit of explosions in the sky album the earth is not a cold dead place. anyway i like it, very much.

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They Say All Media Guide

Take the dripping, Gothic croak of Queensrÿche’s Geoff Tate, mix it with a good handful of Godspeed You Black Emperor!’s reverby distortion, throw in a macabre fascination with history, and you’ve got the debut mini-album from Leedsian space rockers ILiKETRAiNS. Progress Reform is, if anything, an ambitious project. Songs here attempt, among other things, to chart the course of Robert F. Scott’s doomed race to the South Pole (“Terra Nova”) and examine the life of chess master Bobby Fischer (“A Rook House for Bobby”). But for all their gorgeous waves of distortion and grand lyrical ambitions, ILiKETRAiNS are a one-trick pony. Lush, reverb-heavy arrangements follow one after the other, providing little else than a black velvet backdrop for David Martin’s lugubrious storytelling. – Margaret Reges

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