Free as a Bird

Rate It! Avg: 5.0 (22 ratings)
ALBUM INFORMATION

Total Tracks: 11   Total Length: 52:07

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Remember Oakland 2009

pandiero

There's nothing like this.

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Thanks Omar

tchan9898

I saw this album at my local library, borrowed it out of curiosity, played it, totally fell in love with the uplifting and romatic melodies, wanted more, and discovered realmusic and a host of other fantastic ablums by Omar and other fantastic composers and musicians. I have become a toal fan of new age music since. I have listened to this album almost 30 to 40 times but it still sound as refreshing and inspiring as the first time. This album has given me countless hours of joy and even helped me made a few new friends. Thank Omar.

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Brilliant, polished, unique

RicksterNVA

Of course there are many 'unique' artists here, but few can match the professionalism that Omar displays. His compositions are very polished, yet they are as far from 'slick' music as one can get. He evokes such emotions from each song that you get wrapped up in it. Try just one, for example: Surrender is a lyrically flowing piece that would serve well as a soundtrack. But it also has a special feel to it that makes you close your eyes and flow along with the phrasings. Or to sample how he's able to blend different styles into one cohesive piece, try "Passage Into Midnight". This starts out as one type of song, then transitions into a full orchestral piece that retains the driving rhythm and builds on it. While you are constantly aware of his Middle Eastern roots, his sheer artistry makes that an underlying feel rather than overpowering the melody. Truly it is "fusion" at its best, capturing the best of different worlds and creating something - well, unique.

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They Say All Media Guide

Even as Real Music kicks up its release schedule to include more Eastern meditation projects, the label has committed to more pop-minded new age artists who beautifully blend relaxing atmospheres with tight, colorful melodies and grooves. Pianist/composer Omar thanks piano legend David Lanz in his liner notes, and like Lanz has done recently, takes a radio-friendly smooth jazz sojourn on many of the tracks here. Every other track alternates between soaring, self-produced atmospheric and exotic pieces and more in-the-pocket rhythmic tunes produced by smooth jazz keyboardist Gregg Karukas (who has also produced Lanz). Working with top outside musicians (from violinist Charlie Bisharat to saxman Eric Marienthal), Omar creates a wonderfully diverse collection which allows him to remain firmly at center stage. On the title track, his sensual musings are given dreamy and elegant harmonic support from Bisharat, while other pieces involve interaction with strings and percussion (“Passage Into Midnight”) or gentle, electronic grooves. No label release would be complete without some ode to Indian instrumentation, and Omar’s nod to the Orient is the sensuous and atmospheric “Beauty Unveiled,” which begins in an ambient trance state with intermingling sitar and flute before the pianist enters and begins a more upbeat adventure. For all the lush production values, it’s Omar’s piano, beautiful in its elegance and rich in its quiet rhythmic power, that proves the most unforgettable element. – Jonathan Widran

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