Clinch Mountain Sweethearts

Rate It! Avg: 4.0 (33 ratings)
ALBUM INFORMATION

Total Tracks: 16   Total Length: 47:58

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The Real Thing!

bjhbrian

There's no substitute for the real thing. What's most amazing is that, while each of the women in these duets have their own distinctive style their vocals work so naturally within the form Ralph Stanley has established.

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Ralph and the ladies can sing

butterflies

what a wonderful collection of singers and songs. I came late to ralph stanley's music - yes oh death from oh brother where art thou did it -but I'll have to say the duets on here are outsanding old time country

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old

swartz

These songs would be much better without Mr. Stanley's voice, which has withered over the years. What once was old-timey is now just old. The playing still kicks, the tunes are delightful, and the guest vocalists are great. Lucinda Williams' part is so strong that you can ignore the distraction of the other voice. On the other hand, Joan Baez' lovely voice only makes the old man's vocals gratingly disappointing.

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Good album

Gary59

Great range of good singers on this one. Mr. Stanley does a great job of harmonizing with each of them, and it's a treat to listen to. Have you ever noticed that a majority of RS songs are 3/4 time though? Gary Atlanta

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They Say All Media Guide

Clinch Mountain Sweethearts can be thought of as a bluegrass version of John Prine’s In Spite of Ourselves. Like Prine, Stanley is joined by a number of female singers, both later and classic, on 16 bluegrass gems. In fact, several names — Iris DeMent, Lucinda Williams, and Melba Montgomery — show up on both collections. Maria Muldaur cuts loose and gives it her all on the bluesy “The Memory of Your Smile.” When Stanley joins her, the sound is oh so lonesome. DeMent joins the fray on “Ridin’ That Midnight Train” and “Trust Each Other,” and while both cuts work pretty well, the country inflections in her voice get lost in the up-tempo material. One surprising cut features Chely Wright who, believe it or not, offers a good old-time vocal on “Angel Band” that has almost nothing in common with her trendy Nashville work. Montgomery delivers a gutsy take on Hank Williams’ “You Win Again,” which is a tad more believable coming from a female point of view. The Clinch Mountain Boys sound great as always. Combining bluegrass and old-time, they find the right groove for each piece and never hurry a song. Clinch Mountain Sweethearts works better than the Prine collection, mostly because Stanley is well-matched with most of his co-singers. When their voices don’t match, they stay out of each other’s way. Once again, Clinch Mountain Sweethearts finds Stanley making good music by adding a few contemporary touches to mountain traditions. – Ronnie D. Lankford, Jr.

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