Yes Darling, But Is It Art

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Yes Darling, But Is It Art album cover
Album Information

Total Tracks: 24   Total Length: 79:10

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Part Time Punks

SlothNOIR

Whilst I agree with the bulk of the review by Stewart Mason, I am lucky enough to own a contemporary purchase of the white label pressing of the 'Where's Bill Grundy Now?' EP (Part Time Punks/Where's Bill Grundy Now? b/w Happy Families/Posing at the Roundhouse). These were issued under the 'Television Personalities' name, with a couple of different 'covers', which were photocopied sheets of A4 folded around a standard white paper sleeve. The 'O' Levels were Ed Ball's band, and they released the Malcolm McLaren EP at about that time.

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king and country

Tussinup

I've run out of downloads so I've only been able to listen to "King and Country". This is the original genius single version. The album version on "They Could Have Been Bigger Than The Beatles" is really good, but the original is an all time favorite that I have never been able to replace. Some sort of ragged trouser psychedelicism. In it's roughness, it was very punk sounding (circa 1978), but also presaged almost forgotten neopsych scene of early '80's. Aww now I'm gonna get all weepy and nostalgic about happy days tracking down TVP '45's when I was a skinny lad with a leather jacket. I worked in a factory. I lived in a shack by a stinking polluted lake. Music was the best part. TVP's were the best music.

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old school

Verdunguy

Part time punks is a song anyone interested in the ancient lore of 70s punk must have. The Television Personalities were punk making fun of punk, with a lot of now obscure references, but with their bullsh*t detectors on full blast. Of course, later they started taking themselves pretty seriously, but...

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They Say All Music Guide

A packed 24-track set, 1995′s Yes Darling, But is it Art? performs an invaluable service by collecting the Television Personalities’ early singles and B-sides, but it’s an incomplete and inconclusive history that presents a somewhat skewed history of the band. The real meat of the album is in the first ten tracks, all of which pre-date the group’s first album, 1981′s And Don’t the Kids Just Love It. (Several of these songs were released under other names. like the O-Levels’ classic “Where’s Bill Grundy Now?” and “Part Time Punks.”) These mark the beginning of the D.I.Y. pop underground that led to the Pastels, the Marine Girls, the C-86 movement, Sarah Records, and other institutions of British indie pop, and they sound as fresh now as they did when they were recorded. The album then makes an odd stylistic leap, all but ignoring the group’s 1982-1989 period. picking the story back up with the singles and B-sides from the Privilege and Closer to God era. These are rather less interesting tracks (though “A Girl Called Charity” and “Now You’re Just Being Ridiculous” are stellar), heavy on the stylistic experiments and light on the sort of pop melodies that make Dan Treacy’s best tracks so memorable. And there are some inexcusable oversights as well; for example, the brilliant 1992 B-side “An Exhibition by John Miro,” from the “We Will Be Your Gurus” single, is unfortunately absent here. Overall, this is more for confirmed fans than newbies, though the early single sides are essential. – Stewart Mason

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