eMusic Review
Having established herself on the pop stage with Debut, follow-up Post (1995) saw Björk's ambitions go widescreen.With everyone from Tricky to Howie B to 808 State's Graham Massey fighting over the producer's chair and a musical palette ranging from ambient dub ("Possibly Me") to strident techno-pop ("Army of Me") Post boasts a musical vision to match Cecil B. DeMille.
And then there's the lyrics. Bizarre, brazen and remorselessly tongue-in cheek, songs like "Enjoy" and "You've Been Flirting Again" are dark, delirious examinations of the mating game whilst "Hyperballad" is euphoric — “We live on a mountain/ Right at the top/ There's a beautiful view” — but only to disguise a damning rejection of consumerism. It was smash hit "It's Oh So Quiet" which kept the accountants happy, however. A reworking of Betty Hutton's Hollywood showtune "Blow a Fuse" delivered with a kindergarten cutesiness, confirming her role as indie-rock's reigning queen of weird. From this point on, Björk was in the big league.