Riley: The Harp of New Albion

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Total Tracks: 10   Total Length: 110:03

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Very attractive music

kirkmc1

This is nice music, not quite like Riley's earlier, more repetitive works, but a series of improvisations that include repetition and other modernist riffs. There's a lot that recalls Harold Budd, as well as the "new age" piano music - it's no surprise that it's on this label, but it's far from being new age music. It tends to drift a bit, perhaps going on for too long without direction, but it's certainly one of Riley's more attractive albums. The tuning is, as other reviewers say, just intonation. This is, of course, nothing new, and anyone who listens to early music is probably familiar with this, and has heard it on some harpsichord recordings. It adds a pungency to the music at times, and some listeners may think the piano is "out of tune".

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In the 80s

barryp3uk

I heard this live in London too. (I lost my favourite hat that night.) It is a work of utter magic.

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What I Remember

Unbathed

I have this on vinyl somewhere, and if I remember the liner notes correctly, it is an exploration of a different tuning. Later: I gave up on ever being able to get the vinyl into my Shuffle, so I bought it again. Mercy sakes this is beautiful music. A friend at work was a piano tuner in a previous career; this shall be his birthday present.

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Beware of the wolves...

patchwork cat

I have the cassettes, this tuning is in a just intonation centred around C sharp. The tuning is based around 3/2 ratio fifths and 5/4 thirds to produce all 12 notes. A tuning which still produces 35 distinct intervals! (BTW there is nothing new about this, it took a while for keyboard instruments to be introduced to the equal tunings we have now). Riley's 'The cycle of wolves' is centered in B sharp or C natural which means that a lot of the common intervals are very far away from a 'natural' sound. In fact several of the tunes are in D natural! The 'wolves' are those intervals furthest from the more natural sounding ones. they are the intervals that sound the most beautiful, or out of tune to most equal tempered ears. I hope this explains a bit. In the 80's I had the pleasure of hearing Terry Riley play this live in London. Still one of the best evenings of my life...

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Maybe

FormulaBoy

It could be in just intonation.

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They Say All Media Guide

The Harp of New Albion is hypnotic piano recording conceived and performed by minimalist composer Terry Riley. The inspiration for this is the myth of the legendary harp, left behind in 1579 on the shores of Nova Albion, later known as the San Francisco Bay. As the fable goes, a Native American medicine man found the instrument and placed it on a cliff, where winds played it. Riley adapted ten movements for The Harp of New Albion to a specially tuned piano on which he improvises each movement. Harmonics drift and float around repetitious phrases, creating an almost orchestral sound which is very similar to the effects created by La Monte Young on his Well Tuned Piano. The Bösendorfer grand piano resonates through the Academy of Music in Munich, Germany, where this majestic performance was captured. Released as a double-CD set, this recording makes for a startling introduction to the work of one of America’s most renowned and influential minimalist composers. – Dean McFarlane

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