A Tradition Continues… - Harmonized Peyote Songs

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A Tradition Continues… - Harmonized Peyote Songs album cover
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Total Tracks: 7   Total Length: 57:56

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Chris Nickson

eMusic Contributor

04.22.11
Songs without words for the head and the heart .
Label: Canyon Records / A-Train

Primeaux is a Lakota Sioux who conducts Native American Church services — in other words, he knows the way of peyote intimately. What he does differently here is elegantly simple, but mostly unknown in Native American music — he adds a harmony vocal to the songs. It might seem like nothing, but it changes the whole complexion of the music, adding another layer over the hypnotic beat of the pow-wow drum. It's music as medicine, a quiet revolution in traditional sound, and in touch with nature (literally — check out the birdsong that flutters behind the voices). These are songs without words for the head and the heart — a new, technicolor soundtrack to the peyote ceremony. It might be worlds away from psychedelia, but in its own dignified way it's every bit as trippy. Feed your head.

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Trance Sans Electronica

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If you dig music for the separation of self, the loss of ego for another world, and rhythmic repetition is the key, here's your work. It's not just a novelty music to have either; stuff is intense even without the peyote.

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God, they say, moves in mysterious ways. And one of his (or her!) biggest mysteries is music. All over the globe people raise voices and instruments in praise of a creator or a spirit, and one of the joys of sacred music is in the different ways they all work toward that same end. There's the primal voodoo drumming of Haiti that makes the blood run faster, the elegiac harmonies of an Armenian choir or… more »

They Say All Music Guide

The peyote ceremony has long been a ritual among Native Americans, from Mexico and the Southwest up to the North. It’s sacred and honored among all the peoples for the wisdom peyote brings. The songs of the ceremony use a water drum and gourds, along with prayer songs traditionally sung in fours during the event — at the beginning, again at midnight, dawn, and when it finishes. Gerald Primeaux takes this tradition and makes it his own with original material that sounds as if it’s existed for centuries. By their very nature, the songs are meditative, accompanied by the water drum as a grounding for the chants. Perhaps surprisingly, there are also English prayers, but whatever the language, the music resonates deeply. It’s simple, but that simplicity hides a very deep complexity and beauty. This may not be for everyone, but for lovers of Native American music this collection stands as a must-have. – Chris Nickson

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