Rough Music

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Rough Music album cover
Album Information

Total Tracks: 11   Total Length: 49:59

eMusic Review 0

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Chris Nickson

eMusic Contributor

04.22.11
An acoustic disc from one of the leaders of the new folk generation.
2005 | Label: Topic / IODA

Being the daughter of Martin Carthy and Norma Waterson puts a heavy weight of expectation on a folk performer, but Eliza Carthy has borne it well. She's done plenty of experimentation in the past, but this deliberately raw, acoustic disc might be the strongest of her career. Backed by a small group, the Ratcatchers (including Spiers and Boden), there's a ramshackle elegance to the music — the "Upside Down" set moves along at a cracking pace — and a focus of purpose. She even manages to give a traditional sheen to Billy Bragg's very '80's "King James Version." Her voice has rarely sounded better or more emotional (as she shows on "The Unfortunate Lass"), and the lineup gives the feel of a raunchy (but talented) rural orchestra — or country dance band — on "Scan Tester's Country Stepdance." She's become one of the de facto leaders of the new folk generation, and on the basis of this, it's a well-deserved title.

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A must buy

Profbeaker

Along with the first Bellowhead album, this is a must buy for anyone who loves the new wave of british folk. The input of Boden and Spiers is obvious and adds enormously to Eliza's already great sound.

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She's good!

CBCD

Listen to track 4 - Gallant Hussar. The clip doesn't do it justice - the song builds to a masterful ending. It's good.

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Through much of the 1980s, British folk was in a fairly moribund state. There were a few high spots, but it looked as if the spirit of the revival was slowly sputtering to nothing. In the 1990s, though, something unexpected happened. A new generation of folk musicians began to emerge. Some, like Eliza Carthy or Nancy Kerr, were the children of folk musicians and had been involved with the music all their lives. Others had… more »

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Eliza Carthy officially inherits the British folk crown from her parents with the willfully traditional Rough Music. Described in the liner notes as “a form of community punishment practiced all over England” (basically a public beating for a heinous social crime), Rough Music sounds like a lost pre-percussion Steeleye Span record filtered through A.L. Lloyd’s whaling collection Leviathan! Carthy’s strong fiddling and powerful vocals — she really is beginning to surpass Norma — are ably enhanced by the chiseled performance of her backing band, the Ratcatchers. Together they celebrate longstanding English traditions like public execution (“Turpin Hero”), syphilis (“The Unfortunate Lass”), and alcohol (“Tom Brown”) with equal parts reverence, earnestness, and mischief. Primarily arranged for violin, viola, double bass, and melodeon, Rough Music also features lovely a cappella cuts like “Maid on the Shore” and enough fiery instrumentals to keep your feet on the cobblestones during the long walk home from the pub. In fact, there’s not a moment on Rough Music that isn’t essential listening. Highly recommended. – James Christopher Monger

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