A Quiet Eye

Rate It! Avg: 3.5 (31 ratings)
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Total Tracks: 10   Total Length: 58:48

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it's true...

laner

...this album is a masterpiece! The story of how i came to now this album is thus: I was working in an HMV record store and an older co-worker had the audacity to put this staid looking disc into the day's rotation; it was a new release then, in 2000. At the time I was mostly into avant-garde Jazz improv but have always had a soft spot for melancholy melodies. It took me a little bit to realize what was going on but hearing the harmonic creativity of this album and the deep unending richness of her voice I was sold and have been in love with it the ten years hence. truly brilliant work on this album.

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A National Treasure, I think.

xibee

I love this quote of Elvis Costello's: "If you don't like June, you should stop listening to music." How right!. She's elemental, something everyone should breathe and drink in. No one is doing the genre she's doing -- these little cameos of Celtic and English industrial history. And her voice is still the deep foggy beauty it's always been.

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Wonderful!

alextorres

This is wonderful! I am not a big folk fan but I've always admired June Tabor's voice and on this album, with its jazzy instrumentation, the folk-jazz fusion is stunningly effective. Absolutely gorgeous! I might even try one of the out-and-out folk albums on the strength of this.

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They Say All Media Guide

As June Tabor ages her voice seems, paradoxically, to become clearer and sharper. She is also becoming increasingly interested in expanding her repertoire beyond the traditional British and Irish folk music on which her early career was built. There are no fiddles or guitars on this album; instead there are Huw Warren’s piano and the Creative Jazz Orchestra, a big band complete with French horn and two trombones. So has she finally crossed the line that separates a mere singer from a chanteuse? Not yet, thankfully. While one of these songs does come from a musical, a plurality of them (including such standbys as “The Water Is Wide” and “I Will Put My Ship in Order”) are traditional, and there are two Richard Thompson covers (“Waltzing’s for Dreamers” and “Pharaoh”) and a fine version of Ewan MacColl’s immortal “The First Time Ever I Saw Your Face.” The big-band arrangements are surprisingly effective, especially on the Maggie Holland composition “A Place Called England” and on the dour “Pharaoh.” Not everyone will prefer this album to her earlier work, but Tabor herself has never sounded better. – Rick Anderson

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