eMusic Review
In attempting to destroy the boundaries of taste some groups will go to any lengths, driven, presumably, by a gnawing desire to shock and disgust. At least, that's hopefully the way Death in June would seek to excuse an otherwise disappointing flirtation with Nazi imagery (rearing its head here in the form of “C'Est Un Reve,” an ode to Klaus Barbie). Mind you, it's hardly a massive leap from “Behind the Rose (Fields of Rape)” and “The Torture Garden” to namechecking notorious war criminals. With such horrific subject matter as a base, it might come as surprise to learn that the album makes extensive use of acoustic guitars. Yes, they're drenched in reverb and generally twinned with baritone chanting or eerie samples, but it's still a little unexpected. Consistently unnerving, packed with ominous beats and forging an experimental path with disquieting synth effects, NADA! shows that Death in June are talented enough to produce a record which overcomes their "edgy" baggage. Industrial-folk is born.