Can't Stop It! II - Australian Post-Punk 1979-84

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Can't Stop It! II - Australian Post-Punk 1979-84 album cover
Album Information

Total Tracks: 20   Total Length: 65:44

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Andrew Mueller

eMusic Contributor

03.05.07
A cross-section of the bands that represented, if they but knew it, the roots of an imminent and spectacular renaissance in Australian music.
2007 | Label: Chapter Music / IODA

Not one of the artists immortalized on this collection ever achieved any international recognition. Most, indeed, achieved very little local recognition — being in an alternative rock group in Australia in the late 70s and early 80s was about as willful an exercise in obscurantism as one could undertake. However, much here has a naive period charm — notably Essendon Airport's jazz-backed monologue "I Feel A Song Coming On" — and the many of the bands captured here represented, if they but knew it, the roots of an imminent and spectacular renaissance in Australian music. Microfilm's Lisa Gerrard would later join Dead Can Dance. International Exiles' Paul Hester would later resurface in Crowded House. The Jetsonnes — whose gloomy New Wave noir "Newspaper" is a highlight here — would spawn Hunters & Collectors, who went on to deliver several very good albums, one outright classic (1986's "Human Frailty") and become one of Australia's biggest live draws.

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No international recognition?

raedarius

I can't agree with the review saying that none of the acts here got any international recognition. Severed Heads and SPK (as SoliPsiK here) got plenty of international press at the time and are still highly regarded, and Scattered Order did fairly well in terms of recognition too, though are less well remembered.

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Can't Stop It!!

art

Part 2 in David Nichols and co. look at early Australian post punk. Tactics, Scattered Order, Essendon Airport, Systematics, early Severed Heads (later recorded as 'Petrol')and many one off projects.. or bands lost.. and more and more. Essential.

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They Say All Music Guide

While Australia has a well-deserved reputation for quality rock & roll of the fast, loud, and meaty variety (from the Easybeats to Radio Birdman to the Hoodoo Gurus), the artier stuff that emerged down under during the height of the new wave explosion of the late ’70s and early ’80s has never gotten much exposure outside of the continent. The Aussie label Chapter Music attempted to remedy this situation with its 2001 compilation Can’t Stop It!, which collected 20 examples of the more offbeat and angular music to emerge from the Antipodes in this period, and Chapter has since released a sequel. Can’t Stop It! II: Australian Post-Punk 1979-1984 features early efforts from some artists who would be better recognized later on, including Lisa Gerrard of Dead Can Dance (making her recording debut here with Microfilm) and Paul Hester (who years after International Exiles broke up would join Crowded House), while most of the lineup of the great band Hunters & Collectors earlier recorded together in the Jetsonnes, who are also represented here. But the quality of this set is remarkably consistent given the obscurity and stylistic diversity of the music on board. Opening with the harsh guitar-driven electro-pop of the Systematics’ “International Voltage” and closing with the jazz-tinged minimalism of “Never Mind” by Nuvo Bloc, this collection goes in any number of directions in between — arch satiric pop (International Exiles’ “Let’s Be Sophisticated”), earnest Buzzcocks-influenced rave-ups (“Watch My Hands” by Tactics), lush dance-friendly electronics (Severed Heads’ “Lamborghini”), arty funk workouts (“Do the Jobs” by Use No Hooks), pre-goth guitar murk (Scattered Order’s “Swiss Like Knives and Forks”), sexually charged mutant disco (“The Crush” by Asphixiation), hyper-angular noise assaults (Rhythmx Chymx’s “The Now Generation”), and sharply rhythmic piano stuff with a slight dash of prog (Scapa Flow’s “Somewhere”). While some of this stuff is best left for hardcore collectors of the obscure, most of Can’t Stop It! II is intelligent and compelling music, and folks with an interest in the style and the era will find plenty to fascinate them. – Mark Deming

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