Cleaning The Mirror

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Total Tracks: 6   Total Length: 35:34

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Singing about suffering and making it look easy

He-Is-Franz-Kaf-Ka

If you know anything about K. DeBroux, or if you just listen to this record a handful of times, then you'll know that the music is full of personal material. It's also ridiculously honest. Pink Reason's main attraction for me is how the music (composition) can sound either expertly crafted and slaved over, or a sloppy mess, depending on my mood. If you're a musician yourself, then you know the ins and outs of home recording--Pink Reason's primary avenue. It isn't difficult to record 5-10 songs in your basement. While it isn't difficult to RECORD material, it can be hard to express valid emotions and ideas through music (over 50% of popular music is evidence of this). 'Cleaning the Mirror' effectively communicates its bundle of emotion, much similar to the way in which Leonard Cohen or Kurt Cobain did. Maybe you didn't understand every line, but you know they meant every word. All of the psychedelics and indie pretentions aside, this is a great record.

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They Say All Media Guide

Pink Reason is Wisconsin D.I.Y. home-recording savant Kevin DeBroux and his battery of lo-tech tools, creating a sound not unlike a more traditionally musical version of Jandek’s atonal folk-blues. The comparison is most obvious on stripped-down guitar and voice tunes like “Motherfucker,” and the skeletal, reverb-drenched closer “Up the Sleeve.” But wisely, DeBroux varies his approach widely on these six lengthy tunes. Therefore, “Storming Heaven” incorporates primitive electronics, moaning vocals and gallons of echo to create something akin to the prog-psych frenzy of the United States of America and the Silver Apples. “Thrush” is more melodic, with a downright haunting keyboard line decorated by a plodding rhythm track that sounds like the clanking of Jacob Marley’s chains. Those with a taste for the fringier elements of the alt folk underground would do well to check out Pink Reason. Unlike many similarly insular artists, there is no sense of put-on or persona in these songs (cough *Devendra Banhart* cough), and there’s a definite aesthetic sense on display here that makes Cleaning the Mirror a difficult but not impossible record to decode and enjoy. – Stewart Mason

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