Metallic KO

Rate It! Avg: 4.0 (45 ratings)
Metallic KO album cover
Album Information
EDITOR'S PICK // LIVE

Total Tracks: 12   Total Length: 82:39

eMusic Review 0

Avatar Image
Paul Trynka

eMusic Contributor

04.22.11
The last ditch effort from Iggy to convince the world the Stooges mattered.
2006 | Label: Jungle

Recorded over two performances at Detroit's moth-eaten Michigan Palace in October 1973 and February 1974, during a juddering, chaotic string of live dates when Iggy and his Stooges had been cut loose from both management and record company, Metallic KO depicts the Stooges 'last attempt to convince the world they mattered. It was a vain effort, which guitarist-turned-bassist Ron Asheton likened to "beating a dead horse… until it was dust." Scott Thurston, who joined the band in July 1973, a few days before an infamous performance at Max's Kansas City where Iggy punctured his chest on broken glass, confirms that "everybody knew that it was doomed."

All this and more is discernible in the slightly tinny recordings, recorded from the mixing desk, that make up Metallic KO. The first half of the album, from the October show, depicts the band's awesome power, driven on by James Williamson's monstrously heavy guitar riffs. Ron Asheton, who'd started out as guitarist in the Stooges but was then demoted to bass guitar by Iggy and Williamson, pumps out stunningly inventive basslines, locked in with his brother Scott, on drums. Pianist Scott Thurston is only intermittently audible over the instrumental barrage, but Iggy is omnipresent. Whether… read more »

Write a Review 15 Member Reviews

Please register before you review a release. Register

user avatar

Don't know what I missed

geoffreylee

I bought the original album and this one. I still can't figure why this is considered so great. I love the Stooges and Iggy, but this one missed me.

user avatar

What a record for 1974

whenelvisdied

This is a live document of a band that was probably the scariest thing in music in the early 1970s. You can famously hear beer bottles breaking against the guitars because the audience was so angry with the band. But what a set they delivered--"Gimme Danger" "Raw Power" "Search and Destroy". A band that was never better than when they were under threat, and they were always under threat.

user avatar

its a knock-out!

EMUSIC-servalansrazor

Classic album thats an absolute essential addition for all you wannabe punks and muso's. The original, naff single album bootleg issue actually outsold the three original albums when it was put out by skydog back in the day.. but I'm wittering on like the wanker I am. Listen to it, learn it, get to know the songs, they're fucking great riotous trash rock music. The quality on this is superb compared to the vinyl and there a load of extra stuff too. Stop whining about the sound quality like spoiled little brats and dig the igster.. Metallic k.o is the daddy of all live albums. You want to continue this discussion outside?

user avatar

destroy the human race

pollohombre

i saw a punk wannabe, standing his back against the wall saying: "Destroy the human race."

user avatar

A legendary live record - for good reason.

Puckett

Moments like this are rarely captured in rock and roll because rock is transitory. It's disposable, a collection of the same three chords played in different orders - why document anything that so willfully engineers its own obsolescence? As a result, most live albums and documentaries are spectacularly boring pieces of trivial fluff that exist only to fulfill record company contracts and other obligations. But this is something different. Much like Dylan's legendary performance of "Like A Rolling Stone" which followed an audience member calling him Judas, there's something here which is frightening in its desperation and ferocity. There's nothing to lose here except for life, and there's an argument to be made that it wouldn't necessarily be considered a loss, but that idea also directly translates to freedom and in that sense, this poorly recorded collection of ephemera which should be transitory turns out to be liberating and, in truth, transcendent.

user avatar

Download

maharg12

E-Music seem to have fixed the earlier download problems. Yes, it's lo-fi and the band lose it in a few places, but for me, this is what rock & roll is supposed to be about, a classic document of a F-d up nihilistic desparate Iggy screaming his heart out.

user avatar

poor quality

postrockman

poot quality!...come on EMUSIC!

user avatar

What a punk

ltothpal

I have known a lots of punks....

user avatar

AVOID DISC 1 (because of broken mp3s!)

JollyRancher123

So for an honest and real review... Disc 1 is too broken to bother with in its current state.....Hopefully emusic addreses this. Only 'Gimmie Danger' from disc 1 seems complete. This is a shame. 'Rich Bitch' sounds good...but ends too soon. And the tracks on disc 2, (while listenable, and a blast) are all shorter then listed on e-music (minus one or two). Though questionable, this does not hinder the listening experience at all. Disc 2 is still worth it....even if it is 'broken' too. Point is: AVOID disc 1 till it is fixed...and download disc 2.

user avatar

I got punched by a punk

Highnumber

I got punched in the head by a girl with a pink mohawk who was riding on a skinhead's shoulders.

Recommended Albums

They Say All Music Guide

Metallic K.O. isn’t quite as epochal as its reputation would have you believe. Time has had its way with it, diluting its original impact, not just through the natural ebb and flow of time, but in the way that historical accuracy has provided a record that might be true to the letter but betrays the myth. Most of the original bootlegs of Metallic K.O. consisted of two separate performances, both recorded toward the end of the band’s run, including its very final show, legendary for Iggy’s baiting of a hostile audience of drunk bikers. This bootleg was ferocious, capturing the highlights of both shows, distilling its rawest essence. Metallic 2X K.O. performs a historical service by presenting the two shows in their entirety, and while this is welcome, separating the performance does a disservice to the myth. On the original vinyl, the second half of both shows is captured, and the momentum is blinding, capturing the Stooges gleefully careening through a set of new material (including songs like “Cock in Pocket” and “I Got a Right” that didn’t show up on studio albums). Here, even the final show seems more like a conventional show — albeit a show that ends with bottles being thrown onto the stage and the singer brazenly taunting an audience that hates him. And the funny thing about this is that it seems more fun than scary, just a big prank pulled by the Stooges as they recklessly belt out their sleaziest songs and ending it all with a monumental version of “Louie Louie.” Yes, the recording is an audience tape and it’s nearly antiaudiophile, but music this raw and unhinged deserves nothing less. And make no mistake, in any incarnation, this is one of the best rock live albums, nothing but pure, insane energy. – Stephen Thomas Erlewine

more »