Moonbabies At The Ballroom

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ALBUM INFORMATION

Total Tracks: 11   Total Length: 43:00

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Genius pure pop bliss-out

oldmikey

If you like your pop on the effervescent side, are a fan of Labrador-type greatness like the Radio Dept or Sambassadeur, or like any of the previous Moonbabies albums then you will doubtless dig this big time. Makes you wonder whether every single person in Sweden is imbued with large helpings of pop genius at birth. I reckon they could well be.

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Addictive and wonderful

topknacker

This album is one that takes you on a journey through musical styles, never resting on its laurels long enough for you to get bored. Mixing up catchy hook laden pop "War On Sound" through blissed out walls of orchestration "Cocobelle", indie guitar picks on "Ratatouille" (think CYHSY Blue Turning Grey) and Sixties beats on "Shout It Out"

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They Say All Media Guide

There’s just something intrinsically pleasing about the pairing of synthesizers and acoustic guitars, but since folks started figuring this out en masse (somewhere around the time Beth Orton hit the scene), listeners have been in perpetual danger of too much of a good thing. Swedish duo the Moonbabies have managed to stay on the right side of familiar through varying their approach. As a result, their fourth full-length album ranges from the Air-like bliss-out “21st Century Heart” to a folky little guitar instrumental, “Ratatouille,” that wouldn’t sound out of place on a John Martyn album. In between those sonic extremes, Ola Frick and Carina Johansson deftly recalibrate the balances to create dreamy ballads like “The 9th” and more urgent turns like Johannson’s snappy “Take Me to the Ballroom.” They even take the time for a couple of charming stylistic pastiches: “Shout It Out” playfully lifts the main hook from “Then He Kissed Me” for its chiming intro riff, and the lengthy “Dancing in the Sky” closes the album with a shimmering languor akin to the High Llamas’ Hawaii period. So there’s little that’s actually new on Moonbabies at the Ballroom, but the deft mixing of musical styles and influences can be appealing on its own merits. – Stewart Mason

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