Splosion

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Splosion album cover
Album Information

Total Tracks: 9   Total Length: 12:28

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Wrong Review

crabmonkey

The "They Say" review above is for something else. I don't know who these guys are because I JUST found them on here. They kick my ear drums ass. THIS IS WHY I LOVE eMusic YOU RETARDED KIDS WHO "Can't find anything on here". NO BACKDOOR BOYS, NO BEYONCE, NO RANDOM RAPPER OF THE DAY... JUST UNDERGROUND MUSIC!! REAL SHIT!! NOT OVERPRODUCED CRAP WRITTEN FOR THE "ARTIST".

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They Say All Music Guide

The R&B duets that this 25-track anthology emphasizes are those from the early days of rock & roll, spanning 1954-1960. The song selection is a bit quirky and uneven, but generally it’s a pretty good sampling of some hits and choice obscurities from the era, emphasizing male-female duets most often, but also including male duos and a solitary female duo (the Teen Queens, with their doo wop hit “Eddie My Love”). A number of these tunes are familiar hit classics: Mickey & Sylvia’s “Love Is Strange,” Brook Benton & Dinah Washington’s “Baby (You’ve Got What It Takes)” and “A Rockin’ Good Way (To Mess Around and Fall in Love),” Ike & Tina Turner’s “It’s Gonna Work Out Fine,” Shirley & Lee’s “Let the Good Times Roll,” Johnny & Joe’s “Over the Mountain, Across the Sea,” among others. More intriguing for those in search of something they might have seldom or never heard are cuts like Tarheel Slim & Little Ann’s splendid “It’s Too Late,” a minor-key haunter with scarifying blues/gospel overtones. Also on hand are a number of original versions of songs that became more famous via subsequent white cover versions: Gene & Eunice’s “Ko Ko Mo (I Love You So),” Marvin & Johnny’s “Cherry Pie” (later a hit for Skip & Flip), Don & Dewey’s “I’m Leaving It (All) Up to You” (later a huge hit for Dale & Grace), and most enticingly of all Willy & Ruth’s original 1954 version of Leiber-Stoller’s “Love Me” (covered in 1956 by Elvis Presley). Some of the other relatively unknown selections are on the forgettable side, but overall this is a good alternation of familiar and unfamiliar performances in this early rock & roll subgenre. – Richie Unterberger

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