... Would Dinosaur sound so perfect. The muffled drums, the distorted bass, the outstanding guitar work - and 9 (Poledo doesn't really count) perfect songs make this one of the finest albums in my collection. SST released some excellent stuff back in the day (before Greg Ginn stopped paying everyone)...
On 2011's Leave Home, The Men unleashed a sprawling, overwhelming, brute-force basher of a rock 'n' roll record on a mostly-unsuspecting public, leaving a bunch of exhausted, gape-mouthed listeners in its wake In following up such a galvanic-if-difficult release, the Brooklyn foursome presents Open Your Heart, a more accessible and delightfully mixed bag that touches on hardcore, Buzzcockian power pop, classic country drinking songs, straight-ahead rock and propulsive, building jams the likes of which would… more »
File Under: From raw, gutbucket blues to soul, rock and pop with a similar unspoiled spirit
Flagship Acts: R.L. Burnside, Junior Kimbrough, Solomon Burke, the Black Keys, Andrew Bird, Band of Horses, Dinosaur Jr., Wavves, the Walkmen, Smith Westerns, Yuck, Tennis
Based In: Oxford, Mississippi
Like the Delta bluesmen whose records he started Fat Possum to release, Matthew Johnson is part of a dying breed. Rock owes much of its early legacy to eccentric, mostly European-descended label owners… more »
If things had gone differently, J. Mascis might be a death metal god. Mascis's early '80s hardcore band, Deep Wound, recorded only one demo and one 7-inch single, but they were so fast, so bracingly violent, that they've become holy objects among fans of extreme metal. Instead, Mascis found a guitar, formed Dinosaur Jr., discovered he was a natural tunesmith; he brought old-school virtuosity into punk and helped create what we now call indie. Not… more »
No, it's not a great name: "shoegazing." Very few artists who've actually played in that style like the term; Stuart Braithwaite of Mogwai has called it "a dumb term made up by clueless... idiots... if someone called us shoegazers, I'd be pretty unhappy." The other leading candidate seems to be "dreampop," which is also not quite satisfactory.
But we're stuck with those words, because it's undeniable that there's a certain tendency in rock music, especially British… more »
A blitzkrieg fusion of hardcore punk, Sonic Youth-style noise freak-outs, heavy metal, and melodic hard rock in the vein of Neil Young, You’re Living All Over Me was a turning point in American underground rock & roll. With its thin, unbalanced mix, the album sounds positively menacing and edgy — Lou Barlow’s bass barrels forward over Murph’s clanking drums, with J Mascis’ guitar twisting pummeling riffs and careening, occasionally atonal solos. It established guitar heroics as a part of indie rock, bringing the noise of Sonic Youth into more conventional song structures. Also, Mascis’ laconic, self-absorbed whine was a distinct departure from the furious post-hardcore rants, or the mumbling Michael Stipe imitations, that dominated indie rock. While the songwriting is occasionally uneven, the best moments of You’re Living All Over Me — “Little Fury Things,” “Raisans,” “In a Jar,” and Barlow’s proto-Sebadoh “Poledo” — retain their power, and it’s possible to hear the record’s influence throughout alternative rock. – Stephen Thomas Erlewine