You're Living All Over Me

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You're Living All Over Me album cover
Album Information

Total Tracks: 10   Total Length: 38:45

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Never Again...

HalfCutHero

... Would Dinosaur sound so perfect. The muffled drums, the distorted bass, the outstanding guitar work - and 9 (Poledo doesn't really count) perfect songs make this one of the finest albums in my collection. SST released some excellent stuff back in the day (before Greg Ginn stopped paying everyone)...

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uncomplete track?

Motyo

Maybe I'm wrong but the track "just like heaven" ends pretty unexpetetdly. I assume it is uncomplete.

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genius cover version

scottw74

check out the cover of just like heaven

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They Say All Music Guide

A blitzkrieg fusion of hardcore punk, Sonic Youth-style noise freak-outs, heavy metal, and melodic hard rock in the vein of Neil Young, You’re Living All Over Me was a turning point in American underground rock & roll. With its thin, unbalanced mix, the album sounds positively menacing and edgy — Lou Barlow’s bass barrels forward over Murph’s clanking drums, with J Mascis’ guitar twisting pummeling riffs and careening, occasionally atonal solos. It established guitar heroics as a part of indie rock, bringing the noise of Sonic Youth into more conventional song structures. Also, Mascis’ laconic, self-absorbed whine was a distinct departure from the furious post-hardcore rants, or the mumbling Michael Stipe imitations, that dominated indie rock. While the songwriting is occasionally uneven, the best moments of You’re Living All Over Me — “Little Fury Things,” “Raisans,” “In a Jar,” and Barlow’s proto-Sebadoh “Poledo” — retain their power, and it’s possible to hear the record’s influence throughout alternative rock. – Stephen Thomas Erlewine

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