Aman Iman: Water Is Life

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ALBUM INFORMATION
EDITOR'S PICK

Total Tracks: 12   Total Length: 54:11

eMusic Review

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James McNair

eMusic Contributor

04.22.11
Colonel Gaddafi-trained guerrillas-turned-troubadours get funky.
2007 | Label: Outside Music / IODA

OK, I'll fess up: I only discovered Mali's Tinariwen after Robert Plant raved about them in an interview four years back. But the nomadic desert blues collective has in fact existed in some form or other since 1979, their impassioned, highly politicised sound an issue-raising catalyst for the Tuareg people of the southern Sahara long before someone pulled a Ry Cooder and helped record their wonderfully stirring music for consumption outside of Africa.

On Aman Iman — as on their "official" 2001 debut The Radio Tisdas Sessions — that person is producer Justin Adams, the multi-instrumentalist and erstwhile Wayward Sheiks member who is also a member of Robert Plant's current band, the Strange Sensation. Adams does an excellent job, acting as facilitator, not meddlesome shaper.

This time out, Tinariwen has made a fabulously skewed blues album that restores a winning exoticism to that oft-heard genre. The return of near-mythic founding member Mohamed Ag Itlale after six years in the desert (and you can take that quite literally) proves memorable, his improvised poetry on “Ahimana” intoxicating even if, like me, you don't understand a word of his native tongue.

Gritty and wholly involving, the album is a delicious tangle of… read more »

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Dreamy, melodic, flowing, sleepy, distant

humza_a_m

Makes me feel the volume of things around me... Makes me feel the space that surrounds me...

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Stellar

EeewMusic

Infectious, vibrant and transcending. A great find. Too bad I had to go to a service other than eMusic to find it - but it's worth the search. (Not available in the US)

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They Say All Media Guide

Hand it to Tinariwen. Like the nomads they are, they don’t stand still musically. On their third album (the title translates as Water Is Life), they keep the root intact, the desert blues still at the heart of all they do, but this builds upon what they achieved on their superb sophomore disc, happily restless and unafraid of walking down new paths. However, although they’re rightly lauded for their widescreen blues sound, what emerges most here is something they hinted at on the last record — they’re a remarkable rock & roll band, too. The guitars, locked together in rhythm and lead, create a glorious syncopated noise that puts most rockers to shame. But there’s a wonderful looseness to the sound (kudos to producer Justin Adams), in part due to the fact that these tracks were all recorded over just two weeks, a tiny time frame by today’s standards. Recorded in the Malian capital of Bamako, these songs arrive with dust on their boots and a little thirsty. The studio touches are subtle, a little on the effects here and there, but never detract from the music — which even features old member Mohammed Ag Itlale, whose voice and guitar can be heard on several tracks. – Chris Nickson

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