Grand Imperial

Rate It! Avg: 3.5 (41 ratings)
Grand Imperial album cover
Album Information

Total Tracks: 11   Total Length: 37:42

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one great song

pfadfaog

"Everything Changes" is wonderful. The rest of the album is pretty unremarkable.

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okay, but less intense than other albums

JTM--EMUSIC-00C2F3E3

This is a good hip hop album. Admittedly, I have not invested a great amount of time in listening to 'Grand Imperial'. I knew Aceyalone from the album 'A Book of Human Language'. That album is intense, dark, and flows all the way through. I would give that album 5 stars, unfortunately, eMusic does not have it. -J_Tom_Moon_79

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Additional track

mtapp

I'd add the Grand Imperial track as one worth checking out definately. It's got a slick beat to it (the chorus could have been tightened up) but might as well check it your probably wastin your time on the internet anyway.

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off kilter flow.

betterthanyours

two tracks to taste: **Never Come Back (A touch minimal. Weird harp sample glissando noise, and grime-esque lyrical flow, over slow beats. Content is nostalgic, for love lost. Chorus = sweet hook. "I could love you to death but I'll never come back...") **Everything Changes (Older school sound,again nostalgic for loves lost, with the femmetastic Mystic's slinky vox, backing not rapping. Has a Roots or Blackalicious vibe to it, i.e. grooves.)

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Just a few months after Magnificent City came out, rapper Aceyalone came back with a limited-edition mixtape (allegedly only 7,500 copies were pressed) of exclusive tracks, remixes, and other goodies. As to be expected (and desired), three of the songs on Grand Imperial were made with the producer he shared the honors with on Magnificent City, RJD2, who is really quite talented in his ability to make a diverse set of beats while still sounding like himself, and all three tracks included here continue to prove that. “Never Come Back” is all about sweeping synthesizer/xylophone rolls and hollow beats, while “Angelina Valintina” employs a fiery and seductive violin riff. “Impact,” the closing track on the album, is probably the closest to a “traditional” RJD2 beat, with a fuller, lusher backdrop similar to what was found on his solo records. Unlike Magnificent City, Grand Imperial also includes guest artists. In fact, the songs that stand out on the album are actually the ones that Aceyalone did with other people. “Everything Changes,” which features haunting vocals from Mystic (of “Neptune’s Jewel” fame from a few years back) and a desolate piano and drum combination from Z-Trip, is fantastic, and while the hook to “Sunsets & Waterfalls” is a little grating, guest rappers Otherwize and Pterradacto are excellent, with witty rhymes that are so quick the song will be over before you actually catch what they’re saying. There are a few cuts that don’t quite live up to all that Aceyalone can usually provide: “Pose,” for example, has a beat that’s probably been used already in a thousand battles, and the rhymes are simply mediocre, and while the reggaeton club anthem “Push” is fun, it’s boring lyrically, and depends mainly upon the bass. But these are just little quips, and songs like “Makebalillia,” a live rehashing/medley of “Makeba” and “Annalillia,” or the title track, with Kenny Segal producing a Faithless-esque guitar background punctuated by funky horns that would easily fit onto anything by Cut Chemist, all but make up for whatever mistakes occurred. If you can get your hands on one of the few copies of Grand Imperial out there, do it fast. You won’t regret it. – Marisa Brown

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