Captain Beefheart Live at Bickershaw 1972

Rate It! Avg: 3.0 (12 ratings)
Captain Beefheart Live at Bickershaw 1972 album cover
Album Information
LIVE

Total Tracks: 15   Total Length: 65:04

Write a Review 5 Member Reviews

Please register before you review a release. Register

user avatar

Aaaaargh

Goldfrapper

I saw Beefheart three times in all, this was the first, and best. Some ungodly wee small hours of early Saturday morning camped somewhere amongst the Bickershaw mud, barely awake until the Captain got going. The gig was amazing. This awful bootleg ruins the memory - the quality is so poor. So it gets two stars for trying, but really, that was a 5-star gig.

user avatar

bickershaw beefhart

keifyd

i recall it was friday or saturday night beefhart was cloaked behatted and amazing it was cold n wet n definitely a great set..it was a strange location a small mining village and the local shop lady said she had never seen anything like it - finally the rain stopped on sunday during the switch from riders of the purple sage and the dead it was sunset and the locals all came in with their kids..Ray Davies did a great set as well..

user avatar

Sounds like crap

reeferseed

This sounds like crap.

user avatar

what a shame

nigelg

I was there when this gig played and yes I remember it, so it's a real pity about the sound quality. this should be a heavily discounted download. The whole festival was ace bty, apart from the mud!!!!

user avatar

The Death Sound...

soakmonkey

...you will hear it in here somewhere(harp solos, Twilight Zone; remember?). From the samples it sounds like the playing is top notch, but can one really tell? This has to be about the worst bootleg sound quality of anything I've heard on eMusic, for sure worse than the other CB selections available here.

Recommended Albums

eMusic Features

0

Remembering Captain Beefheart

By Kevin Whitehead, eMusic Contributor

In 1982, painter Don Van Vliet stopped performing as Captain Beefheart. The two sides of the artist had always been linked: his paintings and drawings graced several of his album covers, and a few paintings took titles from his songs: "Japan in a Dishpan," "Golden Birdies," and "China Pig," a Delta-style blues about a piggy bank facing the hammer. His paintings suggest ways to read his records. My initial impression, walking into a Van Vliet exhibition… more »

0

What If The Grateful Dead Weren’t

By Sean Fennessey, eMusic Contributor

The Grateful Dead are a peculiar entity, and tough to think about critically because they exist almost entirely as their own subculture. The Beatles and The Rolling Stones are similarly successful, massive revenue-generating groups, but they defined culture at large. Everyone can find ways to wrap themselves in the subtext of those bands or, in the least, find songs that they admire. The Dead are a different thing; with fans of the group comes a… more »

0

eMusic Yearbook: 2004

By Douglas Wolk, eMusic Contributor

James Joyce wrote that his weapons as an artist would be "silence, exile and cunning." Silence isn't generally useful for musicians, and cunning comes with the territory for anyone who wants to play the pop-music game of one-upmanship. In 2004, though, a lot of the best indie records latched onto exile as a weapon, or as a metaphor, or even as their central subject. The international political landscape had collapsed into a mess of lies,… more »

0

New Blues Rising: The Black Keys

By John Morthland, eMusic Contributor

The Black Keys are easily the freshest thing to happen to blues in this millennium, but you can't really call them a blues band. But then, neither can you call the duo — drummer Patrick Carney and guitarist/vocalist David Auerbach — a rock band. Or even a blues-rock band in the conventional sense of the term. Their music is garage rock that knows that blues is at the very heart of rock, and it is… more »

0

Blueslore #02: The Natchez Fire

By John Morthland, eMusic Contributor

The Moneywasters Social Club had sold 557 tickets (50 cents in advance, 65 at the door) to its dance at the Rhythm Club in Natchez, Mississippi, on April 23, 1940. Tiny Bradshaw's orchestra, originally scheduled to play, had cancelled when a booking came through at the Apollo Theater in Harlem for the same night. The replacement was Walter Barnes 'Sophisticated Swing Orchestra, but nobody in Natchez's black community of about 9600 people was complaining. Clarinetist… more »

They Say All Music Guide

In the annals of Beefheart-ian lore, the 1972 Bickershaw Festival goes down among the most startling shows he ever performed: Joe Strummer apparently declared it the best gig he ever attended, and sundry other luminaries, too, have described it as a classic. This is not necessarily apparent from the recording, at least at first. Never intended for commercial release, the show was taped because it could be, with what sounds like some very rough equipment — you can hear the microphone thumping around in someone’s bag, for goodness sake. The vocals distort, the levels are all over the place, and you could probably catch a migraine from the feedback. But still Live at Bickershaw Festival 1972 is compulsive listening, one of the earliest complete Beefheart live recordings available (legally, at any rate), and one that is overloaded with brutal energy and electricity. Plus, you simply cannot fault the set list. – Dave Thompson

more »