Warrior Dub

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ALBUM INFORMATION

Total Tracks: 11   Total Length: 38:35

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bokson

Si on ne peut remettre en cause le talent de Moore et de ses acolytes, tout comme l’intérêt de sortir les versions dub d’un album roots de grande qualité, on peut tout de même se demander si M Records ne cède pas par ce biais à une petite facilité commerciale (il serait presque plus cohérent de sortir un double album ou de rajouter les versions dub à la suite des versions originales dans un même album, sur le mode du discomix)… Mais si «Warrior Dub», tout comme l’était «African Roots», paraîtra peut-être superflu et inutile à certains, il n’en constitue pas moins un très bon album de dub moderne, renforçant encore l’influence de Twilight Circus Dub Sound System dans le monde du reggae-dub contemporain indépendant. Il est quoiqu’on en pense une pièce indispensable à tous les steppers de la première heure désireux d’agrandir leur précieuse collection M Records… www.bokson.net

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They Say All Media Guide

One of the quietest but most exciting developments in reggae music since the turn of the new century has been bassist and producer Ryan Moore’s decision to branch out from his usual solo work — creating one-man band instrumental dub albums of spectacular quality — and work as producer and accompanist to some of roots reggae’s top talents, including Black Uhuru alumnus Michael Rose. The only thing surprising about this album, a dub version of the Warrior release from 2006, is the fact that it took a year for Moore to mix and release it. As one might expect, though, it was well worth the wait. Moore has the good sense to leave generous swaths of Rose’s vocal in the mix, and on tracks like “Zion Dub” and “Long Time Dub” that voice floats in and out in a ghostly manner, while the instrumental backing tracks (provided by such A-list sessioneers as Sly Dunbar, Earl “Chinna” Smith, Dean Fraser, and Moore himself) echo and decay around him. It’s a rare producer who can both channel the sounds of ’70s Jamaica so accurately and also maintain the modern listener’s interest, but Moore has been doing just that for more than 20 years now. Vintage reggae fans shouldn’t hesitate to snap this one up, along with its companion vocal album. – Rick Anderson

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