The Stage Names

Rate It! Avg: 4.5 (1710 ratings)
ALBUM INFORMATION
EXCLUSIVE // EDITOR'S PICK

Total Tracks: 10   Total Length: 46:58

eMusic Review

Avatar Image
Amanda Petrusich

eMusic Contributor

04.22.11
The sound of depression going widescreen.
Label: Jagjaguwar / SC Distribution

Austin, Texas-based Okkervil River garnered loads of acclaim for 2005's Black Sheep Boy, a collection of lonely, desperate rock songs anchored by frontman Will Sheff's thick, shaky warble. After releasing two companion EPs, Okkervil River finally produced a proper follow-up: The Stage Names is a slightly less unhinged, but no less compelling effort, bolstered by the same rich lyrics and poetically-straining guitar (think slightly-less-righteous Bright Eyes) they've employed since 1998.

The lovely “A Girl in Port” marries pedal steel and bits of piano while Sheff howls nervously about “her lacy clothes”; the no-less-winsome “Our Life Is Not a Movie or Maybe” is appropriately cinematic, all epic bursts and controlled retreats. But it's “John Allyn Smith Sails,” arguably one of the most bizarre pop experiments of the year, that soars: the song details, over light percussion and wisps of guitar, the suicide of beloved American poet John Berryman (the title refers to Berryman's birth name — his biological father, John Smith, killed himself with a shotgun when Berryman was twelve, and Berryman eventually adopted his stepfather's surname). Sheff nails down the specifics (“From a bridge on Washington Avenue/ The year of 1972/ Broke my bones and skull/ And it was memorable”)… read more »

Write a Review65 Member Reviews

Please log in before you review a release. Log in

user avatar

One their best

DirkS.

Go get this, "Black Sheep Boy" and "The Stand Ins" immediately. Put all three on repeat/shuffle and enjoy...

user avatar

Great rock album

lagu-lagu

My favorite of Okkervil River's albums, The Stage Names boasts some standout tracks (Plus Ones, A Girl in Port, Love to a Monster) and holds together well from start to finish.

user avatar

Conversation Starter

FineArk

Ya know, it struck me at a show in DC where Mr. Sheff, ahem, stood in for an opening act that never showed, that Sheff is America's singing poet-laureate answer to Jarvis Cocker.

user avatar

Good All the Way Thru

Lau4589

The Stage Names is fantastic from start to finish. A great starting point if you're just getting into the band.

user avatar

will probably buy more albums...

allisonlin

This is the first Okkervil River album I have bought, and while I was at first on the fence about it, it has definitely grown on me with multiple listens. While the voice can verge on almost whiny-ness, I have come to like the less polished feel of it and also how it adds to the diversity of the songs. One small complaint would be the sometimes cheesiness that occurs in a few of the tracks, eg. in "Love to a Monster" when he says "come on boys" and then the sax starts to play...makes me absolutely cringe. But really, that's a small complaint within overall praise for a very good album.

user avatar

I hate to sound like a fawning fanboy...

fubox

... but this album lives up to the hype. It's just amazing. Needs about three listens to really own your soul.

user avatar

better live

full_frontal_petersen

I saw them live when they opened for Wilco, and I thought they really rocked. I got this album because I recognized some of the songs from their live set. I was a little disappointed in the album overall, there are only four songs that I really liked, although those four really are awesome (tracks 5, 6, 8, and 9). I liked them a lot better live, although I wouldn't dissuade anyone from trying to buy this. There are some gems in here.

user avatar

...it kicks...

JimU

I love of Will Sheff seems to give everything on every song. foot tapping (stompning), sing(scream) -a-long, drinking songs.

user avatar

Best of '07: Okkervil River

MaryAlice

This album grabbed me and never let go. Lead singer/songwriter Will Sheff writes and sings about the perils of becoming (relatively) famous, how to keep the band going when the tour becomes a drag, how weird it is to have groupies, and what happens when your creativity or songwriting ability dries up. The wonderful part of this album is the diversity of the songs (from rock "Unless its Kicks" to suicide ballad "Savannah Smiles" to obvious Motown influence "You Can't Hold the Hand of a Rock and Roll Man") and the array of instrumentation used (from coronet to pedal steel to rock piano). You can tell Sheff put a lot of time, thought, and effort into the songwriting, and his voice has really matured over the last few years. I actually had to ban myself from listening to this at about mid-October lest I burn out of it. I will love this album for a long, long time. Standout Tracks: "Our Life is Not a Movie or Maybe," "Plus Ones," "A Girl in Port," "John Allyn Smith Sails"

user avatar

get some free ones

snowdream

great band..you can get about 7 free O.R. tracks on CNET there are tons of great indie rock artists from this website. then get the rest on emusic! http://music.download.com/okkervilriver/3600-8592_32-100377559.html?tag=MDL_listing_song_artist

Recommended Albums

eMusic Features

eMusic’s Best of 2011

By eMusic Editorial Staff

Want to get a snapshot of last year's best music? In our Best of 2011 radio station, you'll hear songs from the artists who provided our 2011 soundtrack. No matter what your taste -- indie rock, jazz, doom metal or avant-folk, you'll find it here in eMusic's Best of 2011 Radio. more »

They Say All Media Guide

Okkervil River broke away from the crowded indie rock pack with 2005′s superb Black Sheep Boy, a ragged but ornate barroom romp that drank its way to the top of countless year-end lists by finding that thin vein that separates triumph and desperation and hammering as many nails into it as they could in under 50 minutes. Fans used to Will Sheff’s visceral, lo-fi caterwauls may be disappointed in the bruised and elegant Stage Names upon first listen, but further spins reveal BSB as more of a stepping-stone than a peak. “It’s just a life story/so there’s no climax,” from the rousing opener “Our Life Is Not a Movie or Maybe” sets the tone, and its floor tom gallop and volatile whoops sound like an unholy combination of My Aim Is True-era Elvis Costello and Transformer-era Lou Reed spilling out of an old player piano. Sheff has proven himself again and again to be a gifted wordsmith, and Stage Names features some of his finest parlor room romanticisms and slacker-poet observations to date. “Plus Ones,” a studied rumination on some of popular music’s most beloved numerically titled tracks (“96 Tears,” “99 Luftballons,” “Eight Miles High,” “TVC 15,” “7 Chinese Brothers,” “50 Ways to Leave Your Lover” etc.) adds an unnecessary integer (“Not everyone’s keen on lighting candle 17/The party’s done/The cake’s all gone/The plates are clean”), cleverly illuminating pop culture’s insatiable thirst for sequels and remakes. It’s a trick that could easily turn trite in less capable hands, but one of the band’s many strengths is its ability to mirror Sheff with arrangements that match the earnestness, wickedness and occasional pomp of the lyrics. Those talents are used most effectively on two of the record’s other highlights, the soft and broken “Girl in Port” and the alternately heartbreaking and hysterical “John Allyn Smith Sails,” the latter of which chronicles the suicide of poet John Berryman and manages to integrate the Beach Boys’ “Sloop John B” so seamlessly that you’d swear it had never existed before. It’s not all winsome ballads about backstage passes and gutter bound writers though, as Sheff and company open up the full sneer on “Unless It’s Kicks,” “You Can’t Hold the Hand of a Rock and Roll Man” and “A Hand to Take Hold of the Scene,” making Stage Names less of a metaphor for the cinematic lives we wish we could have and more of a reminder that it’s us who make the films. [The first 5,000 copies of Stage Names (the "deluxe" edition) came with a bonus disc featuring all of Sheff's demos for the record.] – James Christopher Monger

more »

Activity

  • 02.12.12 Man, @maura has really been on a tear lately. Shit someone had to say. This piece was especially (sadly) needed: http://t.co/3oQPJkBB
  • 02.12.12 It must have been a real "eureka" moment when they first put a giant mad hatter hat on Tom Petty.
  • 02.10.12 I think Dylan's "If You See Her, Say Hello" woulda been better if Mick Jagger sang it. I get more into him singing about Tangiers than Dylan
  • 02.10.12 The mounting horror of learning your joke was already made by "The Office!" Gonna be an eletrician named Electricity Rob argh that sucks.
  • 02.10.12 Blew a fuse & the studio went black. That's it, I am quitting music to become a vegan chef. From now on please call me "Broccoli Rob."
  • 02.08.12 After burglary, fever, & computer problems, today I'm FINALLY going back into Crystal Snifter Sound!
  • 02.08.12 Another childhood tweet: At 9 I decided that as soon as it was legal I would get surgery to give myself the face of Sean Astin in "Goonies."
  • 02.08.12 Check out Light in the Attic's anthology of the spine-tingling soul singer Wendy Rene. Came out today. Incredible shit. http://t.co/YMroaPa1
  • 02.08.12 Also, I think Joni is one of the best non-rap celeb musicians who can write honestly about being wealthy without it seeming douchey.
  • 02.08.12 Man I love Hejira! Joni's words are best in that weird murky soundglobe. No grating cutesiness (except on Blue Motel Room ugh), just mastery
  • 02.07.12 Once, as a kid, I ran away from home to live w Michael Jackson. Can't help but feel that my work would be more rich & complex had I made it.
  • 02.07.12 Once you've been on Twitter a little while, you kind of start remembering & recognizing your haters. It's sort of sweet.
  • 02.07.12 I think INXS wins by a nose over the Cars. But that's just me and my horrible little brain.
  • 02.07.12 Ok so @EricKloos pointed out I blanked on the Replacements. That is inexcusable & I am quitting music. It's been nice, folks, thanks a lot.
  • 02.07.12 ..I'm talking a BAND (not soloist or soloist w band) that played ROCK & ROLL (non-introspective) & had most of their success in the 80s here
  • 02.07.12 The best rock & roll band of the 80s might have been INXS. I'm having a hard time coming up with a better contender.
  • 02.07.12 As a card-carrying liberal elite, I'm just so tickled that Barack Obama's campaign manager is one half of Loggins & Messina.
  • 02.06.12 My friend Dave also said that if I died before him he would see to it that my tombstone was topped with a massive statue of Garfield.
  • 02.06.12 My friend Dave once said, "If I die before you, just go ahead & parade my severed head through town, see if I care."
  • 02.06.12 I'm so into that Jordin Sparks song where she says, "Don't look back, got a nude erection."