Ever Since

Rate It! Avg: 4.0 (68 ratings)
ALBUM INFORMATION

Total Tracks: 10   Total Length: 37:56

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give Lesley a fair listen - you'll be glad you did

treeheartbird

This is the sound of a REAL WOMAN singing, not the doctored-up voice of an over-hyped girl who has to lip-synch her own songs on TV because her own "natural" sound has never been heard anywhere outside her morning shower. I love most of the lyrics on this album, I love this woman's weathered, rich voice, and it's hard for me to understand why anyone wouldn't find at least a couple of songs to love on this album. Leave your preconceptions at the door, close your eyes, and give a good listen to these songs. I'm glad I did.

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so boring

sue1485

I'm sorry, but I could not get half way through the free track.

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DO give it a chance...!

Ripley257

Some who don't want to believe artists grow and change may be thrown by this extraordinary collection. Being more familiar with the disc's primary writer and producer, Blake Morgan, I fell in love with her versions of his well known songs Better Angels and It's Gone. However, her stunning voice and craft has drawn me in...along with the editors of dozens of music magazines where I've seen similar reviews. Open your ears, and mind...you'll be rewarded by this smart, beautiful album.

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don't give it a chance

hernan

Sorry to report this is not as good as the review would let you believe. The playing is half-hearted only, to say nothing of the vocals...Must have been a great singer in her day, but needs a lot more producing now.

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surprised!!!!!!!!!!!!!!

habsfan

Those who are reconsidering their membership should go to itunes and down load Britney. This was a great free song I am now loading the entire cd. I came here as a lark to hear what the pop singer was doing and found an excellent mature singer. Thanks emusic.

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Not quite Marianne Faithfull...

WrongDemographic

... but the raspiness betrays a maturity that makes this worthy of inspection. Her teenaged hits are burned into our brains, so they probably prejudice some others' assessments of this music's validity, but, had those hits not existed, this set might be attracting some low-key critical attention.

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Nice Free Track!

jibrima

Haven't yet downloaded the album, but based on the free track, I certainly intend to do so. An entirely different sound than I was expecting... Edit: I LOVE the "raspyness" of her voice... Authentic, from her gut, just plain ENJOYABLE!

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Nicely Done

BobtheCat

Her voice is a bit raspy as age will do that to you, but I enjoyed it. "We Went So High" and the classic "You Don't Own me" are outstanding.

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It's still her Party but she's grown up!

MusicJunkieHolic

Forget the little girl at "the party". This is a mature soul searching release worth considering. Piano, jazz inspired; introspective lyrics, slow soft sounds. Hope there will be more to come.

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what?

Foxymophandlemama

the fact that this is the #1 album of the day makes me reconsider my membership at emusic.

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They Say All Media Guide

Lesley Gore released her first album as a singer/songwriter, Someplace Else Now, on Motown in 1972 and reunited with Quincy Jones for the A&M label’s uneven but adventurous Love Me by Name in 1975. Amazingly, three decades later, the vocalist who is visible (and superb) on the oldies circuit has put together this subtle and brilliant ten-song collection on Engine Company Records. There is only one Ellen Weston/Lesley Gore collaboration here — they wrote the entire two aforementioned albums if memory serves — and that final track, “We Went So High,” is a quiet piano and vocal reading that is a perfect bookend to the title track that begins this very powerful and intelligent collection of music. It’s the sound of her voice, absolutely, but that voice has matured in an interesting way. Gore has always been a grade-A singer, so it isn’t that the vocals have improved — they have exquisitely evolved. “Better Angels” is as pensive as “We Went So High,” written by this disc’s producer/engineer/arranger, Blake Morgan, and recorded for his own Burning Daylight album, also on the Engine Company imprint. It is part of the interesting fabric this team puts together. Lesley is talking here in a more adult version of adult contemporary. “You Don’t Own Me” is presented in this same — methodical and soulful — approach, which is the trademark of these recordings. She takes her huge 1964 hit (it was her second biggest on the charts) and breathes wonderful new life into it 41 years later. “Not the First” is the only song Gore writes with no collaboration — and stylistically it is an up, which nicely separates it from the nightclub feel of most of the disc. As Janis Ian delivered a strong statement on her Billie’s Bones release, and Jackie DeShannon on her stunning You Know Me disc, this is Gore’s best work outside of her hit recordings. The musicians complement her with understanding, and Lesley utilizes the platform to touch your heart with the presence of a good old friend you haven’t seen in years suddenly showing up at the door. It’s a welcome return, and hopefully the start of much more music from this creative artist. Yes, Michael Gore co-writes with his sister, an understated and moving “Out Here on My Own.” Just a lovely album quite worthy of your time. – Joe Viglione

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