Rise Above

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Rise Above album cover
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Total Tracks: 11   Total Length: 45:41

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Michael Azerrad

eMusic Contributor

eMusic editor-in-chief Michael Azerrad is the author of Come As You Are: The Story of Nirvana (Doubleday, 1993), which remains the definitive Nirvana biography,...more »

04.22.11
The Dirty Projectors are finally, finally reinventing rock music.
Label: Dead Oceans / SC Distribution

Rise Above began as a happy accident: cleaning out his parents 'home, Dirty Projectors mastermind Dave Longstreth came across the empty cassette case for Black Flag's epochal debut album Damaged — "It was my jam," he's said, "probably the first music I ever got into" — and decided to rewrite the album, retaining only the lyrics. It's a radical makeover, with West African guitars, odd meters, chamber music interludes, transient noise-bursts, tastes of post-millennial r&b and dizzying female vocal arrangements that explode into plangent harmonic bombshells. Longstreth's singing — somewhere between an '80s soulman and a lost sheep — isn't for everyone, but so are most things worth a damn. Don't forget how utterly weird David Byrne sounded when Talking Heads '77 came out.

It's fitting that Rise Above was released on the anniversary of September 11th: right around then all the coolest bands began assiduously mining the post-punk era; underground music became staid and, understandably at the time, escapist. Back in the late '70s, Black Flag rebutted post-punk's arty excesses with blunt aggression, and in so doing made iconoclastic art-rock of their own. So it's also fitting that the Dirty Projectors used Damaged to… read more »

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abomination

antibacilli

I can't speak much less about this album, it is an abomination.

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AMAZING!!!

Mikelisputnins

Dirty Projectors are just the band of the decade. I mean they ideas are original, they are being performed perfectly, you can hear great musicians playing and singing. This is a true art work, original. And his vocal skills are truly magnificent. Im very sorry, but people who dont get it are just too adicted to pop music (and, most of the rock records out there are pop music too), this is how music should sound!

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Horrible!!!

EMUSIC-005BAFBC

It reminds me of a nightmare where I can't wake up!

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Oh God, what misery!

piil

...if there was just another singer, it could be awesome! Every time his voice breaks, I need to punch my pillow! Don't download the whole album until you know whether you can bear this horrible, HORRIBLE, voice or not!!Ugghh

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Incredible

hoarsefeathers

I've heard samples of the original, and it sounds good. This is so different, and so good as to be amazing. I can't believe he changed the music so much so well. Stellar!

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I Must Not 'Get It'

taymtsan

This music is really not pleasant. The vocals are in a weird hurried style, there is no melody etc. Sure its unusual if that alone is what you're looking for you might like it. I just made me anxious.

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Fantastic

Braino

I love this album! It definitely takes a few listens hear what's happening, but much in the way XTC got under my skin and never left, Dirty Projectors have become a permanent part of my music collection.

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Maybe I'm fooled

evawj

I really love this album and I really didn't like it at my first listen, but slowly it grew on me. The weird sounds and jagged rhythms make some kind of sense. Don't give up on this first time, it's definitely worth a second and third listening

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Jarring, but good

whenelvisdied

If you know black flag, you'll know these songs. Think of it as a remix album, but instead of taking snippets of black flag, they took the words, and the sentiment of "rise above" and cut them all up into a neo-soul trip. Six Pack and Rise Above are my two favorites.

user avatar

total crap

Petzbrooklyn

I get what there trying to do, and weird al yankovic is so much cooler still.

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They Say All Music Guide

Supposedly David Longstreth was on tour with the Dirty Projectors, the indie rock band he’s been fronting since 2002, when he found himself thinking a great deal about Black Flag’s epochal 1981 debut album, Damaged. Given the many miles Black Flag racked up criss-crossing America during their bloody heyday, that shouldn’t be at all surprising, but rather than picking up a new copy of the album and cranking it up in celebration of his fellow road warriors, Longstreth channeled his thoughts in a different direction — after coming home from the tour, he took the Dirty Projectors into a studio and covered 11 of Damaged’s 15 tracks, all without giving himself or his musicians a refresher course on what they sounded like. The result, Rise Above, reimagines Black Flag’s ragged hymns of rage and angst into smart but fractured bursts of wiry guitar (imagine King Sunny Ade after ten cups of coffee) accompanied by breathy, ethereal vocals, occasional interjections of strings and woodwinds, and a precise but flexible rhythm section. While these interpretations stray a considerable distance from Black Flag’s originals, what’s most surprising is how much of the original frameworks of these songs remain — the melodies, such as they are, can generally still be recognized, and if the pissed-off howl of Henry Rollins is the polar opposite of Longstreth’s vocal style, the contrary message of the songs somehow shines through. On one hand, Rise Above could be used as an example of how Longstreth can take nearly any music and make it his own, but at the same time it doesn’t sound like he’s forgotten the original intent behind this music for an instant. Damaged was a scream of defiance in the face of a grim and unforgiving world, but on Rise Above the Dirty Projectors use the curious beauty of their music as a protest against the ugliness of a violent and corrupt society. Perhaps even more than Henry Rollins, when David Longstreth sings “we’re fighting a war that we can’t win” in “Police Story,” he wants more than anything to make a world where that isn’t the truth, and it’s moments like this that make Rise Above a brave and ultimately successful experiment. – Mark Deming

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