The Music of Gurdjieff / De Hartmann

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The Music of Gurdjieff / De Hartmann album cover
Album Information

Total Tracks: 56   Total Length: 176:12

eMusic Review 0

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John Schaefer

eMusic Contributor

04.22.11
An 80-year old precursor to today’s world music trends.
1971 | Label: G-H Records / Catapult Distribution

This reissue of a long out-of-print three-LP set explores one of the strangest, yet strangely influential niches in 20th century music. Briefly: Gurdjieff spent years traveling through Central Asia and the Near East, studying Sufi orders and secret societies, absorbing elements of mysticism, movement and music that he then brought to the West. He attracted a number of high-profile disciples in France in the 1920s, including the promising young Russian pianist/composer Thomas De Hartmann, who would become his collaborator on these works.

The untrained Gurdjieff would pick out a tune, often only half-remembered, on the keyboard or whistle it, and De Hartmann would flesh it out. The resulting body of work is an 80-year old precursor to today's world music trend, as the sounds of Arabian, Kurdish, Persian and Armenian traditions echo through De Hartmann's simple but effective Western arrangements. And it resonates to this day with such diverse musicians as jazz pianist Keith Jarrett, rock guitarist Robert Fripp and avant-garde vocalist/composer David Hykes.

This collection includes most of the important Gurdjieff/De Hartmann works: “Holy Affirming, Holy Denying, Holy Reconciling” is a haunting, bell-tolling work that reeks of age and mystery. “The Bokharian Dervish Hadji Asvatz-Troov” reflects Gurdjieff's lifelong interest in… read more »

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Nice Obscure Album, But 56 Credits!

EMUSIC-005EA343

I like this album for what it is worth but not for 56 credits!

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I agree, If you have the time

hiybrid

you have to be able to stop and listen to the subtle changes in rythm.

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out standing

bodie

if you can stretch your musical soul to include the beauty of modes, you will hear some of the nicest music ever played in these recordings. It's from the 1920s so it's not hi fi, by far. Nevertheless, I had the albums and enjoyed them many, many times. I don't get tired of these melodies I find extremely beautiful. Gurdjieff whistelled these to de Hartmann who interpreted them on the piano with his help. He'd learned these ancient melodies during his travels all over the east.

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Exquisite

Australopithecus

Wonderful renditions of wonderful pieces. They require subtle listening but well repay. The SkySaw review only makes sense in the light of Satie's early Rose+Croix period. Gurdjieff would have been amused by the review - there was nothing made him laugh more than someone missing his message.

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Amatuer Hour

SkySaw

Sounds like fourth-rate Eric Satie. I always liked Gurdjieff's sense of humor and positive intentions, but I think he was he was way out of his league in artistic aspiration and as a social commentator on European culture.

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