This is the only recording of a crackerjack hard-bop sextet in full flower. It encompasses two sessions from February and October of 1960, when pianist Wynton Kelly and bassist Paul Chambers were on loan from Miles Davis's marvelous quintet, and drummer Art Blakey was paying Morgan back for his longtime (and then-ongoing) membership in Blakey's rousing Jazz Messengers. A pair of criminally underrated players and composers, saxophonist Clifford Jordan and pianist Eddie Higgins, complete the ensemble. All the hallmarks of quintessential hard-bop — plush, well-rounded unison head arrangements, deftly tagged and staggered phrasings, and razor-sharp solos over a boisterous rhythm section — are accorded their full measure, especially on Wayne Shorter's “Fire,” Jordan's “The Hearing,” and the title track by Higgins. The trumpeter Morgan is appropriately renowned as a funky amalgam of Dizzy Gillespie and Clifford Brown, but that underestimates his poignant balladry, showcased here on a gorgeous, muscular, extended rendition of the standard, “Easy Living.”

What really elevates Expoobident, however, is its consistency. There's not a bad song to be found here, including a peppy take on “Just in Time” with Morgan muting his horn, and crisp solos from Morgan and Higgins… read more »