Venus on Earth

Rate It! Avg: 4.0 (384 ratings)
ALBUM INFORMATION

Total Tracks: 11   Total Length: 41:03

eMusic Review

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J. Edward Keyes

Editor-in-Chief

04.22.11
The haunting sound of mystery, intrigue and drunk-dialing.
2008 | Label: M80 / IODA

The LA pop group Dengue Fever favors songs full of clean lines, guitars and organs and horns all kept separate — all the better to ensnare you with. It feels like fussiness at first pass, but each spin through Venus on Earth proves this separation of powers to be inspired, a way to insure maximum impact of the elements.

Which is funny because, in most other regards, Dengue Fever is all about bridging gaps. Vocalist Chhom Nimol was born in Cambodia, the rest of the band is American; the music they produce is a hybrid of West and East: there's tiny flecks of rockabilly, garage and Cambodian pop, all of them steered by Nimol's aching vocals. Her vocal lines are shaped like question marks, curving and snakelike and mysterious. The group aids and abets this sense of foreboding, plucking out spidery tunes equally suited to spy film or hookah bar.

That said, the group is not above a bit of tomfoolery; “Tiger Phone Card” documents a long-distance relationship (New York to Phnom Penh) that starts out sweet and slowly disintegrates. The opening of the song finds Nimol and guitarist Zac Holtzman cooing “I think about you so, so much” to each other… read more »

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Great Band

Aeschulus

I heard these guys on Fearless Music some late night singing Sober Driver - which is a highlight of the album. I didn't realize when I got it that a good chunk of it is in Cambodian - and that counts as a bonus for me. As other reviewers noted, they play a modern take on a 1960s garage bands sound - some of the beats, however, are unique to the Cambodian scene of that era. All told pick this one up!

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Unexpectedly smooth

BLA

I bought this album without knowing anything of Dengue Fever and I must say it was a really nice surprise. Great mix of sounds, guitars and metals combining the asian influence. Donīt miss the chance...give it a try, you wont regret it..

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Like aural opium

fuzzy_edges

MAN, I love this band! I have no idea why, but I do. I am SO glad I stumbled upon these guys here! Why the heck didn't someone turn me on to Dengue Fever sooner?!?

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My favorite of 2008

DKCOMET

Not only is this album freaking fantastic, but the band is just as tight on stage. I had just gotten into some Cambodian garage rock from the 1960s (that these guys heard & decided they needed to put a band together to make more) & then these guys come along & make better music with great live shows. What an amazing, one of a kind sound. If you don't love this, I don't love you.

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Real LA fusion doing it right

GLEN-BASS-PLAYER

Cambodian pop with old school psychedilic organ and guitar. Most excellent sounds. Try out Sober Driver or Tiger Phone Card and see what you think.

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What a find!

EMUSIC-01E9849C

If my nail salon would only play Venus on Earth rather than whatever music they're normally playing, I would be in heaven!

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Great wistful pop

elliptickle

Chhom Nimol sounds fantastic, the music is lovely. Oldies from a time that never was. Hooky and surprising.

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Southeast Asian memories

jwagner85

I lived in Southeast Asia for a while and the first time I heard this I was brought straight back. The songs sung in Khmer especially are awesome.

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First time..........

jnorris7777

to ever buy the entire album from an artist on emusic. Saw these guys at Fun, Fun, Fun Fest in Austin and they are just as fantastic live. Good stuff.

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They Say All Media Guide

Three albums in the novelty has worn off, but Dengue Fever has smartly chosen to keep evolving. While that means their unquestionably unique offering no longer startles, it’s no less riveting — Venus on Earth is at once the band’s most accessible and most varied release. A recap: when first heard from in 2003 on their self-titled debut, Dengue Fever was like no other band, a bunch of L.A. hipsters fronted by a Cambodian-born woman, Chhom Nimol, who paid homage to that Asian nation’s pre-Pol Pot cheesy psychedelic-cum-lounge-surf-garage pop sound of the ’60s/early ’70s, music obscure enough that only a tiny handful of Americans could honestly claim to have known the first thing about it — certainly, the source material spun outside of the orbit of the so-called core world music audience. By the second album, 2005′s Escape from Dragon House, Dengue Fever had tossed in a few more disparate elements, and with Nimol’s high-range vocals riding atop this internationalist admixture and a basic alt-rock sensibility as a guiding force (minus the faux alt-rock attitude), Dengue Fever attracted an audience and garnered critical praise. For Venus on Earth, the mainstream beckons, or comes as close to beckoning as it’s ever going to for a band as non-mainstream as Dengue Fever. Nimol’s vocals are as beguiling as ever, Ethan Holtzman’s Farfisa organ still swirls, Zac Holtzman’s guitars still chime and chunk, and Paul Dreux Smith’s drums clang happily along. With horns provided by David Ralicke and bass from Senon Gaius Williams, Dengue Fever has softened some of the rougher edges, injected some serious soul, and added more swing to their thing. “Oceans of Venus” could be an outtake from the first B-52′s album, “Clipped Wings” a lost Blondie tune, and “Woman in the Shoes” is just one of the most cuddly pop songs in ages. The groovelicious Nimol-Zac Holtzman duet “Tiger Phone Card,” a tale of a long distance Phnom Penh-NYC romance, is the pop smash Yoko Ono might have had in an alternate universe. Drenched in reverb, soaked in sweat, marinated in some phantom historical moment yet tethered to the now, Dengue Fever is more innovative and resourceful than 99-percent of the bands that receive 99 times the publicity. – Jeff Tamarkin

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