Nothing Is Free

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ALBUM INFORMATION
EDITOR'S PICK

Total Tracks: 12   Total Length: 40:05

eMusic Review

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Andrew Mueller

eMusic Contributor

11.08.07
Like Loretta Lynn…with the faintest of British Columbia accents.
Label: Mint Records

If you've ever wondered how Jean Shepard or Loretta Lynn might have sounded with the faintest of British Columbia accents, this 2007 album by Austrian-English-Canadian Carolyn Mark — former Vinaigrettes singer and a one-time collaborator with Neko Case — should satisfy your curiosity. Songs such as "The One That Got Away (With It)" and "The Business End" are old-school soul-baring, wound-opening, laundry-airing, vengeance-taking ballads of domestic disarray, the stark acoustic arrangements throwing Mark's luxuriantly lachrymose voice into even starker relief. Mark is no humourless throwback, however — a couple of the more upbeat tunes, especially "Happy 2B Flying Away" evoke something of the breezy lightness of touch of Laura Cantrell, and in "Pirate and Shotgun" and "Honest Woman," Mark demonstrates a kinship with the bleak, baleful humour of the gloomier depths of the Iris DeMent oeuvre.

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stone cold fantastic

nijlpaard

Truly may be her best one yet - Mark is always amazing and this one has been on nonstop rotation on my iPod for over a year now.

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They Say All Media Guide

Canadian Carolyn Mark opens Nothing Is Free with “The Business End,” a mellow slice of country-folk highlighted by a fine vocal and old-time fiddle. With a touch of grain, Mark’s country-flavored vocals will remind No Depression fans of Neko Case; it’s a voice that sounds slightly retro, especially backed by a guitar with lots of echo/reverb. There’s nothing retro, however, about the lyrics of “The Business End,” or its medium-tempo follow-up, “Happy 2B Flying Away”; both are pure singer/songwriter. What works best about the material, though, is the sound of both tracks; the first, a quiet blend of fiddle and acoustic guitar, the latter (though it sounds too much like a leftover Case arrangement), a blend of acoustic guitar, a bouncy electric lead, and solid harmony on the choruses. The lyrics are another matter, especially on the first track. Depending on one’s point of view, “The Business End” is a lesson in deep writing or navel gazing, with the narrator “praying for a disaster to come and solve/all the problems I don’t have.” The sound, however, would be enough to recommend Nothing Is Free, if the remainder of the album was as strong as the first two cuts. These two songs, though, are very good, and if one has patience, the final track, “Destination You,” offers an intriguing deviation from everything that has come before it on Nothing Is Free. – Ronnie D. Lankford, Jr.

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