For Emma, Forever Ago

Rate It! Avg: 4.5 (4903 ratings)
For Emma, Forever Ago album cover
Album Information
EDITOR'S PICK

Total Tracks: 9   Total Length: 37:12

eMusic Review 0

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Amanda Petrusich

eMusic Contributor

04.22.11
Beautiful, dizzying vocals are the center of this spare solo debut.
Label: Jagjaguwar / SC Distribution

After splitting with his former band (DeYarmond Edison, who, after relocating to North Carolina, reformed as Megafaun), Justin Vernon holed up in a remote Wisconsin hunting cabin for four frigid months, recording the tracks that would later comprise For Emma, Forever Ago, his haunting debut as Bon Iver. For Emma was self-released by Vernon in 2007 before being picked up by Jagjaguwar in 2008, and while the record may now be an official, bar-coded release, it still feels more like buried treasure, caked with dirt and full of secrets.

Vernon's high, lonesome yowls are multi-tracked over (mostly) spare acoustic strums; unsurprisingly, Vernon's guitar feels secondary to his vocals, which are pretty and threatening, primed-to-pierce icicles dangling from a rooftop. Tracks like “Skinny Love” — which, like most of For Emma, sees Vernon lowing about failed relationships — feel distinctly cautionary, with Vernon earnestly admonishing his listeners to be patient, fine, balanced, kind. For Emma is packed with these sorts of tiny lessons and Vernon's spooky, otherworldly instrumentation only cements the celestial vibe — the cumulative effect is enough to make you momentarily consider camping out in an ice-crusted hut for a long winter, just to see what you can learn… read more »

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So much better than "Bon Iver"

ArmondoMfume

This album is far superior to the new album. I am still trying to understand the hype over the new collection, so far all I hear is an "Emperor Has No Clothes" mess from the post-Kanye disc. I'll keep trying. Four Grammys-LOL!

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Quiet, Haunting, yet upbeat~

geotrekkin

Haunting vocals and enough going on musically to keep me replaying the entire album.

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The best of the decade? Agreed!

pompeyman_luke

I'm a lover of Curtis Mayfield, Marvin Gaye and Kurt Wagner. Justin Vernon/Bon Iver joins that elite group. For Emma ... is a soulwrenching joyous musical masterpiece. Ranks with Ulf Lundells "Den Vassa Eggen", John Martyn's "Grace and Danger" and Phil Collins "Face Value" as one of the all-time classic "divorce" recordings. A musical misogi that delights.

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5 stars squared

lilylord

Totally moody mossy heart-breaky - shoe gazey music - wonderful - melodic - pulling out feelings from the nooks and crannies of your soul (well - if that is your thing)....wonderful from top to bottom.

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Detritus

Spurious_George

He is a terrible, annoying singer. It's not just the falsetto. It's the yelping and the melodramatic tone as well.

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Wow

lucashansen

One of my favorite records of all time

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Like it

geoffreylee

I hadn't heard of him until Peter Gabriel covered one of his songs. Thank you Peter.

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Sigh...

javachip

Lovely and wistful. Bon Iver created a masterpiece with For Emma, Forever Ago. Just like the title of the album (and amazing song) it is nostalgic and sweet.

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hee hee, me and Bon

Greebs

I totally get Bon. It's almost like he's just writing his songs for me. I don't know if you guys will like this album as much as I do because for me it's uniquely magical. I can still feel it on my ears.

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They Say All Music Guide

Bon Iver is the work of Justin Vernon. He isolated himself in a remote cabin in Wisconsin for almost four months, writing and recording the songs on For Emma, Forever Ago, his haunting debut album. A few parts (horns, drums, and backing vocals) were added in a North Carolina studio, but for the majority of the time it’s just Vernon, his utterly disarming voice, and his enchanting songs. The voice is the first thing you notice. Vernon’s falsetto soars like a hawk and when he adds harmonies and massed backing vocals, it can truly be breathtaking. “The Wolves (Acts I & II)” truly shows what Vernon can do as he croons, swoops, and cajoles his way through an erratic and enchanting melody like Marvin Gaye after a couple trips to the backyard still. “Skinny Love” shows more of his range as he climbs down from the heights of falsetto and shouts out the angry and heartachey words quite convincingly. Framing his voice are suitably subdued arrangements built around acoustic guitars and filled out with subtle electric guitars, the occasional light drums, and slide guitar. Vernon has a steady grasp of dynamics too; the ebb and flow of “Creature Fear” is powerfully dramatic and when the chorus hits it’s hard not to be swept away by the flood of tattered emotion. Almost every song has a moment where the emotion peaks and hearts begin to weaken and bend: the beauty of that voice is what pulls you through every time. For Emma captures the sound of broken and quiet isolation, wraps it in a beautiful package, and delivers it to your door with a beating, bruised heart. It’s quite an achievement for a debut and the promise of greatness in the future is high. Oh, and because you have to mention it, Iron & Wine. Also, Little Wings. Most of all, though, Bon Iver. – Tim Sendra

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