Diary Of An Afro Warrior

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Diary Of An Afro Warrior album cover
Album Information
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Total Tracks: 14   Total Length: 63:51

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philip sherburne

eMusic Contributor

Electronic music columnist for eMusic.com; writer for fishwrap like The Wire, XLR8R, SF Weekly, RES, Nylon, and Wired; columnist for Pitchfork; blogger (www.phi...more »

03.11.08
Dubble your pleasure.
2008 | Label: Tempa / Southern Record Distributors

London dubstepper Benga has been releasing tunes since 2002, which is to say, since the scene's infancy. (Dubstep spun off from UK garage around the turn of the millennium.) Perhaps as a result, you can hear the whole sweep of the genre in this debut. There's plenty of low-end pressure, which in recent years has become dubstep's focus almost to the point of fetishization, as the popular slogan "Meditate on bass weight" makes clear. (Owners of expensive speakers will consistently be amazed by the magma-like sub-bass bubbling up from below: it's something like a magnetic field or a physical presence.)

But there's also plenty of stylistic variation on display, something the genre has occasionally lacked; beats range from half-step wobble ("Crunked Up") to 8-bit mosh pits ("Go Tell Them") to the straight-ahead cadences of Detroit techno ("Someone 20"). "3 Minutes," which flickers around the beat like a sailboat's telltale, recalls the generous flux of classic 2-step garage, one of dance music's most deliciously syncopated genres. Among the many highlights — and really, every track brings something to the table, even if it's just the satisfying thwack of a snare hit impeccably tuned and timed — are the seductive, synth-heavy "Pleasure" and… read more »

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Just heads all other dubstep out there

james.landrum

(that's supposed to say heads above) As a casual fan of dubstep, and having heard tracks from all the other major dubstep artists, (Burial, Skream, Distance, 2562, Kode 9, Digital Mystikz, Joker, etc.) I can say Benga is really on another level. He has such a unique sound in a genre where so much of it can sound the same. He's just got the musical and melodic skill and creativity that so many dubstep producers just don't have. Benga's music is smooth as astroglide, and his bass is just nasty, without ever going overboard with the wobble. But so much sub-bass! You can feel it through your whole body. I could just listen to this album over and over again. So many great tracks on here. Favorites change all the time, but the highlights are definitely Night, 26 Basslines and Loose Synths.

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Unexpected

satch13

Can't say I am an expert in this Genre but I ilike this album very much. I will be looking into this more

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Good, not great

eJDL

I like this recording, but I wouldn't put it up there with stronger efforts from the likes of 2652, Burial or Alias.

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headphone musik

space2k.net

Maybe not as adventurous as some other recent releases available on emusic (skull disco and boxcutter!), but high quality dubstep none the less...

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another venture into the ever evolving genre.

SCHEMA

In many ways “Diary Of An Afro Warrior” is simplistic, but it’s to the point, which is its real quality. The beats are crisp and the synth’s bleep out like Morse Code. The clean, heavy sub-basslines seem to be the main focal point and are the driving force behind the overall sound. You’ll uncover many different styles and influences here, that work well together. African beats, tribal chants, techno keys and dub basslines on “Light Bulb”. Classic IDM akin to Luke Vibert on “Someone 20”. Techno mixed with Dub, there is a lot going on, blurring genres and it works. It’s yet another unique angle on Dubstep. Considering that this is his first full album its amazingly well accomplished. There is not one weak track on this album, which is an accolade in itself, 14 tracks of solid gold is some achievement. The first real stand-out dubstep album of 2008. http://fumemusic.blogspot.com/

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Whoa

Blipsync

Solid straight through while the others are hollow.

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the next level

collapsedadult

This glorious album is endlessly inventive, blurring the lines between dubstep and techno/electro (listen to the awesome Someone 20 for evidence). There's not a weak track on this and it's as good on the headphones as on a soundsystem. The best 'proper' dubstep album so far (personally I think Burial's practically his own genre), beats Skream's debut hands down.

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Download This

bomb3005

Bloody Awesome. Had me fair bopping around the kitchen.

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Some next level lexicon

thatboyjoe

Always (unfairly) in the shadow of the mainstream's favourites Skream or Burial, Benga has been quietly (ok, not that quietly) honing his skills and this, his second album, is an embarresment of riches. There are a few weak points - painfully annoying crossover anthem Night is only here to bump the sales up, and Crunked Up has been circulating in various channels for well over and year and wasn't even that great to begin with. However, neither the clips you get from emusic or 1000 words can do the flow of this album justice; there's lazy bass guitar n' Rhodes and twisted bass-lead darkness (Zero M2); Night's younger, knife-wielding, glue-sniffing, ASBO-chasing brother (E Trips); shuffling retro Death-Disco-from-the-future (Someone 20); and tones of heavyweight slo mo electro-rave trance* (everything else). Electro-rave trance? I know, I know. The superlatives simply haven't been invented yet. Benga's so next level, he needs a new lexicon.

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They Say All Music Guide

The dubstep release with the highest profile in 2008, Diary of an Afro Warrior is the second album from Croydon producer Benga, following 2006′s Newstep, but it might as well be considered his first, given the push behind it. Like Burial, Benga roams outside the rigid strictures of dubstep — entailing the form’s stout-but-agile, tightly coiled rhythms and arsenal of imposing effects, from wide scythe-like synth swipes to stunted raygun zaps — but here, the crossover could easily pass for what was termed IDM in the early to mid-’90s or, in a couple slightly reaching instances, West London broken beat. Opener “Zero M2″ is an immediate challenge to those who expected a straight-up dubstep album, its fusion-informed twinkles of plangent Rhodes and acoustic bass taking the spotlight. The producer is often most effective when he strips it down, as he does after the midpoint in “Light Bulb,” where gaunt but restless percussion, crisp handclaps, dark-hued shimmers, and a distant chant produce terrors as deep and lasting as any of its stockier counterparts. – Andy Kellman

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