Asking For Flowers

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ALBUM INFORMATION
EDITOR'S PICK

Total Tracks: 11   Total Length: 49:18

eMusic Review

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Keith Harris

eMusic Contributor

Keith Harris lives and writes in Minneapolis, MN, the greatest city in the world. He's reviewed music since 1996, writing for numerous magazines, newspapers and...more »

04.28.08
Folkstress serves up a beautifully bitter pill
2008 | Label: MapleMusic Recordings

Kathleen Edwards writes the sort of simple, earthy guitar-based songs that the genre-obsessed slot as alt-country or roots-rock, but in fact, her twang is less likely to summon up images of an Ontarian Lucinda Williams than of a female Freedy Johnston. And like that master of miniaturist character studies, Edwards has a knack for placing convincing words in the mouth of a first-person who's not herself. "Alicia Ross" is sung from the perspective of a real-life murder victim and on "Oil Man's War," a driver, fleeing across the northern border to avoid the clutches of the US military, begs his sweetie "keep your hand on my thigh tonight" so warmly that you can almost forgive Edwards overlooking the fact that there's no draft to dodge. (Not yet, anyway.)

Much of her pithily phrased bitterness, however, bears the personal stamp of a woman who's spent a lot of time on the road — in particular the three best cuts here. "The Cheapest Key" is a stinging kiss-off that runs alphabetically through the musical staff from A to G ("F is my favorite letter/ As you know"), "I Make the Dough, You Get the Glory" is a rootsy revamp of "You're… read more »

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Best of '08: Kathleen Edwards

MaryAlice

Ottawa based songstress Edwards delivers a wonderful country/folk collection on Asking for Flowers. Edwards frequently incorporates bits of Canadiana into her songs (hockey, CBC), and tells gorgeous and heartbreaking stories in other tunes. "Alicia Ross" is the song of the year. It describes the last minutes in the life of Alicia Ross from Ross's perspective just before she was tragically murdered by her neighbor in August 2005.When I first heard this song I was immediately captivated by Edwards's strong vocal performance and the graveness of the lyrics. It literally brought tears to my eyes the first few times I heard it, and this was before I knew the heartbreaking story behind the song. Get this album. You won't regret it.

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Another Excellent Record

Takes-a-Train

Edwards' consistency is impressive. On the other hand (not that it's terribly important) the eMusic reviewer seems to have dashed off his review without giving it much thought. Of course Edwards is not singing about a draft in Oil Man's War, but about the relatively small number of enlisted American soldiers who have come to Canada to avoid being sent to Iraq.

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They Say All Media Guide

Kathleen Edwards’ 2005 album Back to Me was the sort of record that grows and reveals new secrets each time you gave it a listen, so it’s tempting not to trust immediate impressions after three spins of her next set, 2008′s Asking for Flowers. But if one has to leap to a relative snap judgment, Edwards’ new record sounds just as strong as its fine predecessor, and shows that she is gaining strength and confidence as a songwriter, qualities she hardly lacked before. Produced by Jim Scott and featuring a handful of top-notch American studio players (Benmont Tench, Greg Leisz), Don Heffington) alongside members of Edwards’ Canadian road band (Colin Cripps, Jim Bryson), Asking for Flowers shows a broader range of colors than her first two albums (both lyrically and musically) than her earlier work. The playful wit of “I Make the Dough, You Get the Glory” (“You’re cool and cred like Fogerty/I’m Elvis Presley in the Seventies”) and “The Cheapest Key” (“Here comes my softer side/And there it goes!”) is livelier than her previous work, but the gravity of “Alicia Ross” (based on a true story of a murdered teenager) and “Oh Canada” (a rant against social injustice in her homeland) cuts deep into the heart, and “Oil Man’s War” is a tale of a draft-age man fleeing to Canada during the Vietnam War that’s affecting and sadly relevant. The music is beautifully rendered and moves with the emotional peaks and valleys with surety and grace. And when Edwards sings about love, as she does often, it’s with a naked honesty that’s genuinely touching and reinforced by the rough but sweet tone of her voice. Back to Me was the work of a singer/songwriter well on her way to becoming a major artist; Asking for Flowers leaves no doubt that Kathleen Edwards has arrived and made an album that’s funny, startling, poignant, and (once again) worthy of repeated play. – Mark Deming

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