Replica Sun Machine

Rate It! Avg: 4.5 (38 ratings)

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ALBUM INFORMATION

Total Tracks: 11   Total Length: 39:14

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Not good..

arribaelnorte

I thought the whole album calculated and cold. I wanted to listen to it because of so many good reviews, but I did not like the lyrics, the voices, the sound is ok, but that should be the last thing! The lyrics are too silly!! No, I have to say I donīt like at all, and I am sorry I downloaded it.

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Yes

Muse8

Just say "yes". Rocking smart catchy indie-pop-rock arty party music.

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you should moan

music4thesoul

I,once again, bought this cd from HMV instead of checking emusic! damn damn and bugger - great album not as instantly quirky as the first album but with its own hooks and excitement - love it.

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there and then it's gone...

MickyJ

I downloaded this (US) as soon as it came out and now it's gone... this is a huge shame for my fellow americans as it is probably my favorite emusic download of 2008 so far. Elements of Psychedelic 60's but the Danger Mouse production makes it as *now* as it comes. All backed up by terrific tunes and sharp lyrics - "everyone knows that a dog dressed in clothes is still a dog" they tell us on lead single 'No Social', the video of which you can see at www.theshortwaveset.com. Simply stunning

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They Say All Media Guide

It’s perhaps appropriate that the Shortwave Set have Danger Mouse producing their second album — given the dreamy late-’60s Beatles-and-forward psychedelia that tinges the whole album’s sound, what better producer to have than the one who came to fame mashing up The White Album with Jay-Z? If anything, though, what Replica Sun Machine calls to mind is a previous attempt to meld aesthetics from about ten years back, the Beta Band’s Hot Shots II — it’s not a question of exact similarity by any means, but there’s a similarly easygoing feel in the arrangements and the beats, something that invites drift and a steady crunch in equal measure. Adding in some fairly high-profile collaborators in the persons of John Cale and Van Dyke Parks increases the sheer baroqueness of Replica Sun Machine (as memorably matched by the striking cover art), along with the sense of steady progression and sweet chanting throughout, especially on captivating lounge-funk numbers like “I Know,” down to the wordless harmonies next to what sounds like a theremin solo. On a killer song like “Now Til ’69,” easily the measure of the kind of sunshine pop into early-ABBA efforts by such bands as World of Twist and Denim, the surging energy gives the album a big kick, while stately glam-tinged songs like “House of Lies,” with its descending piano-led chorus, are further evidence of Replica Sun Machine’s wonderful charms. – Ned Raggett

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