Attack

Rate It! Avg: 3.5 (28 ratings)
Attack album cover
Album Information

Total Tracks: 11   Total Length: 47:30

eMusic Review 0

Avatar Image
Rod Smith

eMusic Contributor

04.22.11
Slint's Dave Pajo seeks the Priest, marries the Maiden.
Label: Quarterstick Records / Touch And Go

Never one to give a f-ck about genre boundaries, David Pajo has explored countless facets of post-rock, electronica and acoustica, both on his own and as a member of Slint, Tortoise, The For Carnation and Billy Corgan's short-lived Zwan. But even if Dead Child's founder and frontman hadn't exhausted so many other possibilities, he'd have eventually slouched metalward. Like similarly-experienced bandmates Todd Cook, Michael McMahan, Tony Bailey and Dahm, Pajo grew up joyfully immersed in the likes of Metallica, Iron Maiden and Judas Priest. Attack finds the Louisville-based quintet revisiting the stormy skies of their youth with so much vigor, we can never be sure exactly when whose tongues are in which cheeks.

Nor does it matter. The band adroitly marry UK histrionics (think Rob Halford) with classic Bay Area thrash on the morbid-fascination confession "Screaming Skull." "Boiling lead poured into your brain/ Let us shiver in the night," vocalist Dahm yelps capably over taut, galloping accompaniment. He's a formidable screamer, too, but his real strong suit reveals itself on a concise, serpentine guitar solo that, like pretty much every move he makes on the album, suggests he's spent years preparing to let his inner metal dude… read more »

Write a Review 4 Member Reviews

Please register before you review a release. Register

user avatar

Fresh

Supadope

I think these guys rock.

user avatar

This blows

Lencho

Let's face it: Indie kids simply cannot play metal.

user avatar

No matter...

horrorpornstar

I don't know if this is a bunch of indie guys realizing that metal is a more powerful medium than the post-whatever stuff they were doing and finding their true calling, or a bunch of indie guys goofin' ironically on metal (witness "Sweet Chariot"'s metalized take on the traditional "Swing Low, Sweet Chariot"). No matter, as ATTACK riffs mightily for me like some sort of imagined late '80s Samson album from the alternate universe where Bruce Dickinson never left to sing for Maiden and the band went more thrash. So, heartfelt metal or post-modern faux metal? Whatever...bang your fucking head and stop thinking.

user avatar

Correction

rich.rodriguez

Pretty sure the vocals are Dahm, not Pajo.

Recommended Albums

They Say All Music Guide

Post-rock’s perpetual dabbler, David Pajo, has been a busy man, lending his guitar to a veritable who’s who list of acts ranging from Tortoise to Zwan to Bonnie Prince Billy, as well as his own solo work. With Dead Child’s Attack, Pajo returns to the group scene. Living up to its title, the album is an unrelenting metal assault; a 47-minute love letter to British heavy metal that simultaneously pays homage to and modernizes the sounds of metal luminaries like Judas Priest, Motörhead, and Iron Maiden. Dead Child takes classic metal and makes it their own, combing the galloping pace of the new wave of British heavy metal and adding lumbering, detuned guitar, creating a sound that’s crushing and unyielding. “Angel of the Odd” and “Never Bet the Devil Your Head” come barreling out like runaway sonic freight trains, rolling over everything in their paths without ever slowing down, while also showing off the vocal talents of Dead Child vocalist Dahm, whose versatile wail is reminiscent of Bruce Dickinson or Rob Halford. Attack is really at its heaviest when the songs are at their longest. On “The Coldest Hands” and “Black Halo Rider,” both clocking in at over seven minutes, are dark and thundering minor-key endurance tests. “The Coldest Hands” especially seems to pay tribute to the crawling, riff-driven style of Black Sabbath. The one trait that really shines through on every track is sincerity. Dead Child gives a nod to early metal without a coy wink. You’ll find no ironic denim vests or tongue-in-cheek glam excess on Attack, just the unrelenting vigor of classic heavy metal. – Gregory Heaney

more »