What Does It All Mean? - 1983-2006 Retrospective

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What Does It All Mean? - 1983-2006 Retrospective album cover
Album Information

Total Tracks: 42   Total Length: 132:10

eMusic Review 0

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Jeff Siegel

eMusic Contributor

05.27.08
Girl Talk before there was Girl Talk: frantic mash-ups for breathless parties.
2008 | Label: Illegal Art / IODA

In 1983, a 30-ish ad copywriter named Steve Stein and his sound engineer friend Doug DiFranco followed an ad from Tommy Boy Records to the glory of a $100 remix contest win. Not much of a creation myth, but “The Payoff Mix,” with its gleeful and increasingly frantic spray of tiny tape-slices of Culture Club, Little Richard and Bugs Bunny, became a keystone of mash-up culture. Now, after decades of overpriced bootlegs and whispers from the underground, the collected works of the man called Steinski have finally surfaced in one place, courtesy of the pirates at Illegal Art (home of clear Steinski disciple Girl Talk). What set the world alight here was the anything-goes authority with which Stein and DiFranco (and later Coldcut) would marshal anything within reach, so long as it squared to the omnipotent beat.

The early party-rockers roll together the hits of James Brown, the Sugar Hill catalog and whatever was playing on KISS-FM at the time to create warped, elastic, floor-filling mixes. As utterly classic as those are, the real excitement comes when these elements were grafted to Big Statements, chopping up the words of anyone from Bush I to Gloria Steinem until they flowread more »

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The master of cut and paste mixing

djFLWB

Get yourself 1-5,7&9 from disc one to start. This really is where it all began. he wasn't the first but he really blew it out of the box. So many others were influenced by him except they do it with multiple turntables (Kid Koala anyone?) Disc 2 has a lot of filler so pick and choose wisely if you are being mindful of your credits. But if you love to mix there's a lot of fun stuff to work with here.

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It means history boogies

Sonics

Steinski understands history, humor, and James Brown. Outlasts Girl-talk which relies too much on the ungroovable. The best mashup collection since "The best bootlegs in the world ever." Good luck tryin' to find that one...

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This ain't girl-talk candy, it's the main course

hexjones

This is some groove-able music. A lot of "mash-ups" (I'm looking at YOU Girl-Talk) give me a headache with their huge list of samples to get through and reward the listener with a Forrest Gump-like recognition (oh! that one was Metallica! That one was Brittany! That one is...) This music has a thread that you can latch onto and groove on. It give you time and a REAL BEAT to work with.

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Time to git on up now

bobbly

The first 5 tracks are indeed the best, and by golly they are fantastic. Totally essential. The rest are still fun but not the same level of intensity & hilarity.

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OUTSTANDING

zulu886

The classic award winners on disc one followed by the infamous, until now hard to find; NOTHING TO FEAR / A ROUGH MIX session produced for SOLID STEEL / BBC London. Some of the most obscure and creative samples ever compiled in one mix... Outstanding!

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lesson 1

csik

In case you're wondering where Lesson 1 is, that's another name for The Payoff Mix. First five tracks with Double Dee are the funkiest. I can only guess the Double Dee was better with the beats and music and Steinski was better with the sampled speech. The second 'disc' is a Steinski mix which was produced for Solid Steel/Coldcut a few years ago.

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Missing the best song!

jeane1

Why isn't 'We'll Be Right Back' on this comp? It's a classic - great sampling and downright catchy. 'The Motorcade Sped On' is also a fave.

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The Payoff Mix

TomW

I only know the first three tracks - all-time classics of sampling and mixing, real works of art.

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They Say All Music Guide

One of the most unlikely heroes of hip-hop has to be former ad man Steinski, who catapulted himself to street-level fame by entering a Tommy Boy remix contest in 1983 and delivering (with recording studio vet Double Dee) one of the best mastermixes of all time. No matter that this was hardly an “on the fly” turntablist piece worthy of Grandmaster Flash; basically, it came about from boxes of records, turntables, tape machines, and a dozen hours of studio time. The original “Lesson” (aka “The Payoff Mix”) was a dizzying trip that took in dozens of track snippets interspersed with all manner of movie dialogue and cartoon samples. It also managed to keep the flame for truly hilarious hip-hop alive until Prince Paul and colleagues arrived on the scene in the mid- to late ’80s with their own twist on the perfect beat. “The Payoff Mix” was followed in 1984 by “The Lesson 2 (James Brown Mix),” a series of the Godfather’s greatest grunts, with just as many detours through funk and hip-hop as the first mix. From there, Double Dee & Steinski or Steinski solo took on everything from the history of hip-hop, jazz, and Sugar Hill to two of the most deadly serious moments in American history, JFK’s assassination (“The Motorcade Sped On”) and the events of 9/11 (“Number Three on Flight Eleven”). The Illegal Art compilation titled What Does It All Mean?: 1983-2006 Retrospective has most of Steinski’s greatest work, including virtually all of his productions on the first disc and, on the second, one of the best mix albums of all time, his Nothing to Fear: A Rough Mix for the Coldcut-associated show Solid Steel on the BBC. Rap music has rarely gotten more virtuosic and creative than it does here. – John Bush

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