Luminous

Rate It! Avg: 3.5 (11 ratings)
Luminous album cover
Album Information

Total Tracks: 14   Total Length: 60:25

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more of the same, unfortunately

scrawdbloke

After what felt like an unsung, barely-noticed defining moment in the brief popularity of Trip-Hop/Electronica in the later 90s, this duo vanished. Save for rumors of working with Orbital, for years we heard nothing about BSSM. eMusic seems to be making it clear there was questionable involvement from Paul Robb on Luminous. That doesn't mean it's a bad record, it just makes gestures toward goth lyrics instead of the challenging mystery of the first disc. It's not the trailblazing breath of fresh air that The Great Game was at the time. Some might say that with potential like TGG showed, this is far too little, too late.

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Boring

spacemonkey

I really am wishing I didn't download this album. Its more like Pop than trip hop. Cheesy lyrics and cliche voice do not help at all. I'm sure there are a lot of Pop lovers that would disagree with me on this one but if you in the mood for someting differn't this is not it.

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They Say All Music Guide

New age elegance, trip-hop seduction, and powerful electronic ideas merge nicely on this mystical debut by the duo of techno pioneer Paul Robb (Information Society) and seductive folk songstress Barbara Cohen (Farm Accident, Little Lizard). Together, they create a hypnotic swirl of unpredictable global grooves, wild experimental electronics, and moody melodies and vocals, both with lyrics and wordless. There are also samples from the hip-hop world, so in some ways it’s the ultimate modern R&B/new age electronica mix. Songs like “Libertine,” “Black Oak,” and “Hummingbirds” perfectly blend Cohen’s rich voice (which sometimes is maddeningly machine-filtered) and Robb’s Enigma-esque pop textures. Before changing their name to Luminous, the duo — old friends from Minnesota — was known as Brother Sun Sister Moon, which one critic described as a post-millennium Eurhythmics. Cohen is a bit too trippy and not quite powerful enough to be Annie Lennox, but the creativity is there. Luminous’ mix of folk and electronics attracted the attention of English rave legends Orbital, resulting in a four-way collaboration, “Way Out,” included on Orbital’s techno classic Middle of Nowhere. The goal here is not hooky songwriting, but slow and meditational seductions, mood music for the electronic age. – Jonathan Widran

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