Dreams Of Breathing Underwater

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Total Tracks: 11   Total Length: 46:11

eMusic Review 0

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Chris Nickson

eMusic Contributor

06.23.08
A young British folk icon finally finds her niche.
2008 | Label: Topic / IODA

It's been eight years since this young British folk icon dipped her toes into singer-songwriterdom with the very mixed bag Angels & Cigarettes. But, my, how she's grown in the meantime. After far more experience in the traditional music scene, Carthy returns with real maturity to her writing and singing — and a much clearer sense of how to present it. She is, and always will be, a folkie, and her music is at its best when she uses and (especially) subverts folk — as she does in “Lavenders,” which takes a hoary folk theme and reinvents it with lush atmospheres, Middle Eastern violin and unearthly harmonies.

She takes a similar approach in “Rows of Angels,” where subtle beats add emphasis to a strong, downbeat melody. In fact, it's when she tries to break out of the folkie mold that she's least successful. Compare indie-style opener “Follow the Dollar,” with its yawning ennui and distorted guitars, to “Hug You Like a Mountain,” which has a breathy, pastoral warmth. When folk is her springboard, Carthy can be terrific — “Mr. Magnifico” blends speech and song and comes across like an Irvine Welsh story told in the dark corner of a future folk… read more »

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Brilliantly Mature

Wolf

I caught a young Eliza and her illustrious parents at McCabe's in Los Angeles a few years back, and she was brilliant then. This is an album that, for me, shakes any shackles of genre and become simply: brilliant music. Download it, you won't regret it.

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daring & divine!

angrydolores

"Willow Tree" was a jazz-folk highlight on her Anglicana album for me, and it's therefore a delight that she's taking that level of genre-mashing into a completely new stratosphere...middle-eastern music, big band ....an absolute treat, and may it continue! P.S. Is it me or can anyone else hear Eddi Reader singing backup on Lavenders?

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Go get it

andymss

Always reassuring to see new albums on Emusic. Been looking forward to Eliza's latest and first hearings suggest it's a winner. Amused to see that Emusic consider Val Doonican to be a similar artist!!!!

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Great great album

Kingharvest

This is one of the best albums I have heard this year. It is all over the map musically, but not in the way some artists do, trying to be different. Carthy clearly has the guts to simply do what she wants to do with each song, whatever she feels is warranted. The end result is quite spectacular, from the great raw opening guitar riffs to the heartbreaking ballads. The folk purists might not love it (the above mentioned guitar might be their barometer) but hopefully she will pick up some new fans, anyone who is tired of pedestrian pap. I have long been a fan of her other albums, but this takes everything up a notch.

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Eliza, out of her box! Be brave, follow her!

NigelMac

Brave, difficult, not for the faint-hearted ... hugely rewarding. Traditional folksters should approach this with both an open mind & some excitement! Each track is different, but each demonstrates that quality transcends boundaries. Eliza's exploration of the world beyond that of her purist background has paid off with dividends, and without compromise, and will no doubt set the scene going forward. Definitely worth a download!

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They Say All Music Guide

Fiddler, singer and songwriter Eliza Carthy, inheritor of the mightiest musical genes in all of England (her father is folk legend Martin Carthy, her mother the equally legendary singer Norma Waterson), has always exhibited a wonderfully healthy willingness to break out of the folk music ghetto without ever feeling the need to turn her back on it entirely, and this album sees her really coming into her own as an artist. Songs like the blues-rocking “Follow the Dollar” and the soulful, almost trip-hoppy “Rows of Angels” clearly demonstrate her nearly effortless ability to rock out powerfully in a not-entirely-straightforward way, while weird and eerie tracks like “Two Tears” and “Simple Things” expose a darker, more troubled side of her muse that sounds like it’s been steeped a bit too long in Tom Waits’ back catalog. At her best, she flexes musical muscles that are unlike any you’re likely to encounter anywhere else: notice, for example, the deeply complex “Little Bigman,” a song that simultaneously evokes the British music hall, doo wop, ’60s skiffle, and even traditional village bands, all as a setting for a wonderful vocal arrangement that never sounds quite as complicated as it actually is. And “Simple Things” takes horribly twisted guitars and a skittering funk beat and presses them into service behind what sounds like one of the most passionate and ambivalent love songs ever written. Not every moment is brilliant — if it were, she’d be inhuman, and “Mr. Magneto” is indeed more than a bit self-indulgent (though the flamenco handclaps are a nice touch). But what’s not brilliant is at least interesting, and easily 80-percent of it is brilliant. – Rick Anderson

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