Sunlight To Blue... Blue To Blackness

Rate It! Avg: 4.0 (24 ratings)
Sunlight To Blue... Blue To Blackness album cover
Album Information

Total Tracks: 11   Total Length: 55:55

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Vini, Vedi, Vici

wetpeds

For some 20 years now I have been buying DC/Vini expecting the eventual perhaps inevitable disappointment. Ahhhhh well...what's another 20 years? More talent in his left change pocket than most have in the bank. As far as I am concerned, this may perhaps be one of his best outings. Buy it, listen to it five times in a row; the first while you shuffle about your business, then lying on the sofe eyes closed, then while trying on all the sweaters in your closet, one at a time, pour a glass of wine and sit on the porch for four, finally sitting in front of the stereo the speakers close to your ears (headphones are cheating). None of this will make a difference, you will enjoy the album regardless. (just wanted to see if you'd do it).

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Oh wow

music4thesoul

a new album from Vini Reilly - is it his best? probably not but it is a damn sight better than many other offerings out there - have you heard Coldplay's latest? Then listen to this or anything else by Vini and be informed how far most other bands have yet to go. 6*

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They Say All Music Guide

That the Durutti Column are still releasing albums three decades after their original formation is remarkable, given sole constant Vini Reilly’s well-known personal difficulties. Sunlight to Blue…Blue to Blackness is Reilly’s first release since the death of his mentor and biggest champion, Factory Records founder Tony Wilson, and almost as if in tribute, it’s in many ways a return to the sound of the Durutti Column’s early Factory releases. Vocals, keyboards, and drum machines make only sporadic appearances, with Reilly’s typically elegant, impressionistic guitar taking center stage throughout. Indeed, on the opening track, “Glimpse,” snatches of tunes from 1979′s The Return of the Durutti Column waft through Reilly’s nylon-string solo, and “Never Known Version” updates a tune from 1981′s LC with a thoroughly modern hip-hop-influenced rhythm track that shouldn’t work nearly as well as it does. Not that this is a surprise, since that phrase is a workable précis of the Durutti Column’s entire career. Other highlights include the eight-minute reverie “Head Glue” and the somber piece for piano and sustain pedals “Ananda,” both of which feature Reilly’s newest foil, pianist and singer Poppy Morgan. – Stewart Mason

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