My dad always said don't play with tools, you will hurt them or they will end up hurting you. Well this Album has most definitely hurt these great songs, and if tool ever heard it I'm sure they would like to hurt Cleopatra Records for putting it out there. I love every one of these songs and none of these artists do them justice (execpt Haujobb's remix of Die Eir Von Satan, which is worth the download).
Everybody knows Motown was great, but few realize what an incubator the entire City of Detroit was for soul music in its heyday. For each artist on Berry Gordy’s label there were several more just as good who went with another major, or with a smaller, local indie. Some made their names in r&b, vocal groups or gospel before evolving into soul; others started in soul but had their greatest impact in funk. But even… more »
At eMusic, we take pride in being the place you hear about artists first. Whether it's through our eMusic Selects program - which brought you the first releases by Best Coast, Crystal Stilts, Strand of Oaks and more - or our Breaking Artist features, our editorial team is always on the grind to bring you the best new artists first. Our eMerging Artists station is your chance to be first on the Next Big Thing. more »
The office folks at Righteous Babe Records put this playlist together for eMusic. It has some choice songs from the Righteous Babe catalog but also some friends, openers and influencers we either work with or just plain like to play. Hope you enjoy! more »
Whether your tastes skew toward classics by The Smiths and Wilco or current cutting edge tastemakers like Sleigh Bells and Neon Indian, you're sure to discover something you love on Indie Hits, Past & Present. more »
While the legendary voices of such jazz icons as Billie, Ella and Sarah still ring true, subsequent generations of female jazz vocalists have taken the music in new directions, especially in the '90s, ranging from Cassandra Wilson's new-standard caress to Diana Krall's classics with a twist. Taking their lead, young singers over the last decade have been swinging the vocal tradition onto a new plateau with a pop sensibility. In the mix are tunes by… more »
This mix is not for the faint of heart, so all you groovy geezers take it easy with this one, and let the Daptone crew guide you through a soulful journey of some of our favorite party starters, and late night movers.
Get ready, cause we're gonna swing folks. There's a Happening going down in Bushwick, and we here at Daptone Records would like to share it with you. You don't have to be hip, but… more »
Nirvana and Pearl Jam. This is who you'll hear about when the topic of Seattle's music scene is brought up in a historical context. It makes sense. Alternative music has always been the face of the Seattle scene. But before Kurt and Eddie, there was Ray and Quincy and Jimi. Seattle has soul, and the hip-hop community in the 206 is the living proof. They love their hometown and the music reflects that. "Townfolk Hip-Hop"… more »
Turn your subwoofer into an impact crater. The best new and classic Drum & Bass, Dubstep and Jungle with smatterings of IDM and downtempo. Leaning towards the dark end of the spectrum, the only hard rule is it must have massive amounts of low end. You will be guaranteed to drive your neighbors insane with Mortar Bass Bomb. more »
After Elvis went into the Army and before the British Invasion, the years 1958-63 were rock's forgotten years. But they were the years that shaped the musical tastes of baby boomers and of acts from the Beatles and Rolling Stones to Bruce Springsteen and the Ramones. Hear the dance sensations, the one-hit-wonders, the girl groups and doo-wop singers, surfers and rockabilly twangers, the birth of Motown, the evolution of R&B into soul and so much… more »
In the jazz world, tribute albums are inescapable. Every week, jazz artists are recording tributes to Duke Ellington, Miles Davis, Antonio Carlos Jobim, Cole Porter, or someone else they admire. But in rock, they aren’t as plentiful — for every Bob Dylan, Doors, or Rolling Stones tribute that gets recorded, there are a lot more Ellington or George Gershwin tributes coming from the jazz world. One of rock’s more tribute-minded labels is Cleopatra, which has paid homage to countless rockers. As a rule, Cleopatra’s tribute albums are interesting — and this 2002 release (which finds 12 different artists providing Tool covers) is no exception. Even if A Tribute to Tool is mildly uneven; it has more ups than downs and offers a lot of intriguing takes on the headbangers’ songs. The best covers are the ones that bring something new or different to a familiar song; operating on that premise, the artists on this CD acknowledge Tool on their own terms instead of slavishly emulating the band. While Tool’s forte is alternative metal, A Tribute to Tool is full of industrial, darkwave, and goth rock interpretations of its songs. Not everything on the CD works, but most of the time, A Tribute to Tool hits its mark. Mists of Avalon successfully gives “Prison Sex” a goth makeover, while an industrial outlook works well for Translation Collapse on “Reflection,” Beauty on “Disgustipated,” and Razed in Black on “Part of Me.” One of the best tracks is the Electric Hellfire Club’s “Opiate” makeover; Hellfire’s campy, over-the-top sense of fun is quite a contrast to Tool’s artsy leanings. Do those with only a casual interest in Tool need to hear 12 Tool covers? Probably not. But Tool’s hardcore fans will find this CD meaningful if they also have an appetite for industrial, darkwave, and goth rock. – Alex Henderson