A Man Needs A Woman

Rate It! Avg: 4.5 (67 ratings)
A Man Needs A Woman album cover
Album Information
EDITOR'S PICK

Total Tracks: 14   Total Length: 35:21

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Forgotten giant of soul

mr. mark

James Carr's powerful Goldwax label music is on a par with such deep soul greats as Otis Redding, Wilson Pickett, Ray Charles, Don Covay, Aretha, and yes, Sharon Jones. Carr's semi- obscurity stems from the weakness and collapse of his record label, not the quality of his music. Most of his catalogue has been unavaliable for decades. Check it out!

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More Classic Soul

Average-Nights-Jack

This album goes hand in hand with James Carr's other Goldwax release of "You got my mind messed up" (also available here on eMusic) and whilst 2 of the tracks are duplicated, the remainder are top class soul from someone who never got the true recognition he very much deserved. Wow indeed.

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WOW!

MAB78

It's great that emusic has the two Goldwax albums by James Carr. They are both excellent examples of prime 60s southern soul!

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SOULSATIONAL!

fissum

One of the best "Soul" albums you'll ever hear. Solid right through and James Carr just nails it. Never was and never will be a better version of Dark End Of the Street.

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Finally!

dthompson0279

It's about time emusic got this album up. James Carr is still one of the greatest and probably one of the more under rated singers of all time. This album is amazing!

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Dark End of the Street

BigD-Bluez

This is the original version of Dark End of the Street and I can't wait to see if the rest of James Carr's stuff is as fine.

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They Say All Music Guide

Along with his other original Goldwax LP, You Got My Mind Messed Up, James Carr’s Man Needs a Woman represents one of the high watermarks of Southern soul music. And beyond his tonal resemblance to Otis Redding, Carr was as distinct a voice as the genre ever produced. Compilations on both Kent (Complete Goldwax Singles) and Razor & Tie (The Essential James Carr) are certainly good places to start, but this LP might be even a better introductory title, especially considering the likelihood one will want to obtain all of Carr’s prime late-’60s work. Whether Carr revels in the up-tempo soul of “I’m a Fool for Your” or stops the presses on sanctified slow-burners like “You’ve Got My Mind Messed Up” and the Dan Penn and Chips Moman-penned classic “Dark End of the Street,” the intensity never falters. – Stephen Cook

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