Innovative Life

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Album Information

Total Tracks: 12   Total Length: 61:35

eMusic Review 0

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Derek Walmsley

eMusic Contributor

08.18.08
A forgotten West Coast classic — the strange bridge between N.W.A. and Kraftwerk
2008 | Label: Stones Throw

Age doesn't seem to wither electro — the pulse of the drum machine is pure, pristine electronic energy, whichever way you slice it — and the collected work of the Arabian Prince, much of which has been effectively unavailable for years, retains the same diamond hardness now as when it first emerged in the mid-'80s. A West Coast electro pioneer and original member of NWA, Arabian Prince (born KR Nazel) came up in the same electro-funk scene that produced Egyptian Lover, where the emphasis was on crews and crowd hyping. Early singles like "Strange Life" and "It Ain't Tough" are fleshed out with as many exotic pleasures as he could fit on those cheap 7" or 12" slices of vinyl — freaky chat-up lines, heavy breathing, Far-Eastern keyboard figures and white lies about his nomadic desert life. Destined for local clubs rather than the national charts, Arabian Prince's work shows new wave and funk roots quickly forgotten in East Coast electro — "Strange Life" and "Let's Hit the Beach" are weirdly voyeuristic narratives that owe a great deal to Prince, with countless uncanny lyrical asides ("Don't go to the beach if you don't want to get wet"). The production… read more »

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KCRW...

downtownsteve

....put this on their top pick list for January 09. booty shakin'

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another one

louis_bloom

yes another album not available in Canada. I guess E Music doesn't like money, must be nice.

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Supercalifragilistisexy!

Britster

This will push SO many buttons for electrofreaks, young and old. Our dancefloors deserve to know about this dude!

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They Say All Music Guide

An overdue overview that is era-specific instead of career-spanning, Innovative Life compiles several Arabian Prince productions originally released in the 12″ format on Rapsur, Street Kut, and Techno Kut, along with the fruit of a dalliance with the early N.W.A. As detailed in the phenomenal liner notes, this disc sheds a spotlight not just on Arabian Prince but the West Coast, which tends to get a very short shrift throughout coverage of electro and pre-gangsta-era hip-hop. Not all of the content here is gold — “Strange Life,” the first single, is a limp curiosity, recorded with musicians who knew much more about Poco than P-Funk — but plenty of it rates with any of Arabian’s Kraftwerk/Bambaataa-spawned brethren on the East Coast, not to mention his fellow L.A. scene running mate, Egyptian Lover. All the ingredients of classic electro are present — the bounding machine beats, synthesizers set to either “paranoid” or “assault,” cyborg vocals, wordplay that switches from the sci-fi-obsessed to the playfully (rather than crudely) lecherous. (The timeline here cuts off just before Arabian cut “It’s Time to Bone.”) The most noteworthy missing track would be J.J. Fad’s “Supersonic,” easily the most well-known Arabian production, but anyone around at the time of its release can likely replay it in his or her head from start to finish. – Andy Kellman

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