Deltron 3030

Rate It! Avg: 4.5 (432 ratings)
ALBUM INFORMATION
EDITOR'S PICK

Total Tracks: 24   Total Length: 73:30

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Hip-hop concept . . .

cwarrior

I keep hearing there's supposed to be a follow-up; I hope it's true. The songs on this are outstanding - and worth getting, just to tie the whole thing together. I still believe albums should be heard as "albums," and not just song collections - this is one of the best in the genre, right with "Danger Doom" in terms of enjoyability. Not sold? Download "Positive Contact" (the original version) and "Virus" - then you'll be sold.

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24 credits?!

solishu

Are you kidding?

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excellent

ritta69

Excellent rap album. I dig the Automator and this is one of Del's best efforts.

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ESSENTIAL BRILLIANCE

catpants

Total classic album. Del has never been better, rhyming, riffing and spilling out concepts like a demented HAL 9000. Automator's melodic beats are irresistible; positive, intelligent Hip-Hop with heart, goofy smarts and hooks like dirt. The skits are part of the charm and amp up the 'transmission from another planet' vibe (especially love that Clofis Randolph the Patriarch). Get this. You NEED it.

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ASTRONOMICAL

DR.GONZO

The first time I dind't have to listen to somebody rap about the rims they ride on or how much bling the have or where the hoes are,the pictures painted are displayed with a1000 words, an epic tale of the furthest reaches of the mind.............THANK YOU DEL!!!!!!!!!

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ah, nostalgia...

blrn

this isn't great. let's just admit that. for one, it's too gimmicky and silly. also, it's an egregious example of the tendency for rap albums to be over-bloated with skits to create a sense of continuity (9 of these 24 tracks should not be dl'd). however, the tracks themselves have a certain charm. i actually loved this when it came out and listened to it nonstop. upon returning i still find myself nodding my head to automater's laid-back futurism and del's undeniably catchy flow, which still seems miles ahead of anything else these two have done since. to what extent my enjoyment is being enhanced by the filter of nostalgia i can't say, but every track over 3 minutes between 1-20 is probably worth trying.

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Pretty Brilliant

MadDogM13

I've always loved Del when he had the right backup producer (cf: Gorillaz v.1), and here Dan the Automator (Dr. Octagon, Handsome Boy Modeling School) provides a perfect backdrop with his warped future funk.

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Take me Back to College

beevyarr

I must have been a 3rd year sophomore when this album broke, and it was my introduction to Del, thanks to already being a fan of Dan the Automator. It was also the time I was getting into the sounds of turntables thanks to some DJ roomates, the Subliminal Twinkeez. Dan, Koala, and Del - this album was tight. Time Keeps on Slipping and Madness are haunting pre-cursors to the Gorillaz albums, probably because that guy from Blur is on 'em. Positive Contact was a good hit, and I can't decide if Mastermind or Virus is the classic from this album.

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Del at his best

senatorbobdole

For those who hear current Del, they are missing why he's amazing. This is Del and Automator on top of their game-- confident, swaggering, deft, and spot-on. It's great to hear something that hits on so many levels. It's miles ahead of anything that any of these three guys have done since, in my opinion. It's got all sorts of cameos, from Peanut Butter Wolf to Mr. Lif. Totally recommended-- as fun as it is sublime.

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They Say All Media Guide

The heir apparent to eccentric production wizard Prince Paul, Dan the Automator’s left-field conceptual brilliance rapidly made him a hero to underground hip-hop fans. For the Deltron 3030 project, he teamed up with like-minded MC Del tha Funkee Homosapien and turntablist Kid Koala, both cult favorites with a similarly goofy sense of humor. Deltron 3030′s self-titled debut is exactly what you might expect from such a teaming: a wildly imaginative, unabashedly geeky concept album about interplanetary rap warriors battling to restore humanity’s hip-hop supremacy in a corporate-dominated dystopia (or something like that). It’s difficult to follow the concept all the way through, but it hardly matters, because Deltron 3030 is some of the best work both Del and Dan have ever done. In fact, it’s the Automator’s most fully realized production effort to date, filled with sumptuous, densely layered soundscapes that draw on his classical background and, appropriately, often resemble a film score. For his part, Del’s performance here revitalized his reputation, thanks to some of his best, most focused work in years. Long known for his abstract, dictionary-busting lyrics, Del proves he can even rhyme in sci-fi technospeak, and the overarching theme keeps his more indulgent impulses in check. Plus, there’s actually some relevant commentary to be unearthed from all the oddball conceptual trappings; in fact, Deltron 3030 is probably the closest hip-hop will ever come to an equivalent of Terry Gilliam’s Brazil. The album boasts cameos by Damon Albarn (on the proto-Gorillaz “Time Keeps on Slipping”), Prince Paul, MC Paul Barman, and Sean Lennon, among others, but the stellar turns by its two main creators are the focus. It’s not only one of the best albums in either of their catalogs, but one of the best to come out of the new underground, period. [Traffic's 2008 edition included three bonus tracks.] – Steve Huey

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