Nothing to hear
This album is unavailable for download in my country
This album is unavailable for download in my country
and that's about it. Innocuous, mediocre music. Just like the music the Arctic Monkeys make. If you like the AMs, go ahead and download this. If not, move along.
with happy results. The mix is a bit murky, and the melodies don't always hit their mark, but this is loads of fun overall.
That Alex Turner, with his lyrical gifts and punky-pop chops. Suddenly comes up with this gem, in its way as good as anything by the Monkeys themselves... if through a somewhat Austin Powers lens. Makes me very interested in the Monkeys' next disc...
And i mean that in the very best way possible. listen to meeting place and my mistakes were made for you
They might both be proud. I don't listen to lots of "indie" music, but I like well crafted, well executed songs that have a dashes of drama and danceability. Maybe fans of Voxtrot or Babyshambles would enjoy this as well...
chick with freckles. Music's OK, too.
This collaboration between the Arctic Monkey??s Alex Turner and the Rascals?? Miles Kane really delivers on the promise of both of these songwriters. Many reviewers cite David Bowie as a key influence on ??The Age of the Understatement? but I would offer Ennio Morricone, LA psychedelic band Love, Britain??s The Coral and the sounds coming out of swingin?? London in mid 1960??s, as the guiding lights for this recording. Vocally, these two front men sound perfect together. In fact, I hadn??t realized how good a voice Turner was in possession of, inflecting more melody into these songs than is evidenced in his work with the Arctic Monkeys. The acerbic wit both songwriters are known for is still there but some of the sting is masked by the ornate orchestrations and galloping tempos. ??Standing Next To Me? would fit nicely on Love??s Forever Changes and ??Calm Like You? might have Tom Jones considering another comeback attempt.
It actually lives up to the hype, in my opinion. This is a fabulous record that captures some of the 60s orchestral pop feel. Nice to hear recording budgets spent on arrangement and orchestration, rather than computer tricks. One note: it does sound like Scott Walker, partially because "My Mistakes..." borrows the bassline from Walker's "The old man's back again (dedicated to the neo-stalinist regime)".
They're your classic haunting melodies. For anyone who hasn't heard the album, give in and try tracks 2, 5, 8 and 11. The album cover sums up the time and feel of the album.