The Age Of The Understatement

Rate It! Avg: 4.5 (253 ratings)
ALBUM INFORMATION

Total Tracks: 12   Total Length: 34:44

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Nothing to hear

EMUSImoises

This album is unavailable for download in my country

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Nice Cover

CydonianKnight

and that's about it. Innocuous, mediocre music. Just like the music the Arctic Monkeys make. If you like the AMs, go ahead and download this. If not, move along.

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Alex Turner meets the Monochrome Set...

blerg

with happy results. The mix is a bit murky, and the melodies don't always hit their mark, but this is loads of fun overall.

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an interesting hint for where next for Alex Turner

MickyJ

That Alex Turner, with his lyrical gifts and punky-pop chops. Suddenly comes up with this gem, in its way as good as anything by the Monkeys themselves... if through a somewhat Austin Powers lens. Makes me very interested in the Monkeys' next disc...

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A James Bond Movie Soundtrack

Joth

And i mean that in the very best way possible. listen to meeting place and my mistakes were made for you

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Morricone & Morrissey ...

GreatStature

They might both be proud. I don't listen to lots of "indie" music, but I like well crafted, well executed songs that have a dashes of drama and danceability. Maybe fans of Voxtrot or Babyshambles would enjoy this as well...

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I dig the . . .

word-ape

chick with freckles. Music's OK, too.

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Review by Robert Celli

Garaputo

This collaboration between the Arctic Monkey??s Alex Turner and the Rascals?? Miles Kane really delivers on the promise of both of these songwriters. Many reviewers cite David Bowie as a key influence on ??The Age of the Understatement? but I would offer Ennio Morricone, LA psychedelic band Love, Britain??s The Coral and the sounds coming out of swingin?? London in mid 1960??s, as the guiding lights for this recording. Vocally, these two front men sound perfect together. In fact, I hadn??t realized how good a voice Turner was in possession of, inflecting more melody into these songs than is evidenced in his work with the Arctic Monkeys. The acerbic wit both songwriters are known for is still there but some of the sting is masked by the ornate orchestrations and galloping tempos. ??Standing Next To Me? would fit nicely on Love??s Forever Changes and ??Calm Like You? might have Tom Jones considering another comeback attempt.

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great to hear money well spent

J'Adorno

It actually lives up to the hype, in my opinion. This is a fabulous record that captures some of the 60s orchestral pop feel. Nice to hear recording budgets spent on arrangement and orchestration, rather than computer tricks. One note: it does sound like Scott Walker, partially because "My Mistakes..." borrows the bassline from Walker's "The old man's back again (dedicated to the neo-stalinist regime)".

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Nevermind the hype, just listen and enjoy.

ezears

They're your classic haunting melodies. For anyone who hasn't heard the album, give in and try tracks 2, 5, 8 and 11. The album cover sums up the time and feel of the album.

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They Say All Media Guide

It’s not that often that side projects are more ambitious than the players’ main bands, but the Last Shadow Puppets, the collaboration between the Arctic Monkeys’ Alex Turner and the Rascals’ Miles Kane, is one of those rare birds. With their day jobs, Turner and Kane are revivalists of different strains of “angry young British man” rock, but with the help of drummer/producer James Ford (also of Simian Mobile Disco), arranger Owen Pallett (Final Fantasy), and the London Metropolitan Orchestra, on The Age of the Understatement they revitalize the lush, symphonic pop of early Scott Walker and David Bowie, when they needed an orchestra to express just how sweeping their feelings were. The title track’s galloping strings-and-timpani drama begins the album, making it readily apparent just how ironic The Age of the Understatement’s name is, and just how well the Last Shadow Puppets have recaptured that lavish late-’60s/early-’70s sound. The main update to it comes from Turner and Kane’s voices; stark and suave like Walker and Bowie they are not, but that’s a good thing — their boyish, unpretentious voices and brotherly harmonies keep the album from dipping into kitsch. Instead, a surprising urgency runs through The Age of the Understatement, most noticeably on the taut “Calm Like You” and “Separate and Ever Deadly,” but also on softer moments like “The Meeting Place” and the extremely Walker-esque “My Mistakes Were Made for You.” Whenever the drama threatens to become too monotonous, the band knows when to change things up: “I Don’t Like You Anymore” brings in more of the Arctic Monkeys’ spit and spite, building up to a livid guitar solo that practically shakes with loathing, while “Standing Next to Me” and “Time Has Come” rein in the bombast. Despite all the intensity, the Last Shadow Puppets have a light touch — their songs are short and don’t overstay their welcome, and the whole affair is just arty and indulgent enough to make it special. It’s not an overstatement to say that The Age of the Understatement is a likable, accomplished working holiday. – Heather Phares

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