Putting The Days To Bed

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Putting The Days To Bed album cover
Album Information
EDITOR'S PICK

Total Tracks: 11   Total Length: 37:29

eMusic Review 0

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Matthew Fritch

eMusic Contributor

09.02.08
Big, smart guitar pop.
2006 | Label: Barsuk Records

Worth the price of admission alone, “Teaspoon” is the star attraction of Putting The Days To Bed, the third full-length from the Long Winters. Like the Replacements'”Can't Hardly Wait,” it's the kind of song that results from a typically left-of-the-dial band going into maximum pop overdrive: placing the hooks in plainer view, adding a horn fanfare to the back end of a chorus and driving a fat, four-note bass line into the ground. While Paul Westerberg's tune was all about romantic longing, John Roderick — singer/guitarist for Seattle's Long Winters — is responsible for one of the bounciest songs ever written about dreading intimacy. “Two can just bleed into one,” sings Roderick, “But only one does the bleeding.”

As with the Long Winters'previous album, 2003's When I Pretend To Fall, the songs here take the form of character sketches, from the retired Air Force pilot's soliloquy “Sky Is Open” to the mother-daughter rock-groupie conversation “Honest” (“Don't you love a singer, whatever you do”). Roderick is a close cousin to the Weakerthans'John K. Samson: He's going to write detailed, chin-stroking lyrics, but he's not going to be overly precious about it; the now-stable Long Winters rhythm section of Eric Corson (bass) and… read more »

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Fire Island, AK -- catchiest tune on the planet

flatfive

Teaspoon is very good, as is every track on this album, but Fire Island, AK is probably the catchiest tune on the planet. And at no extra charge you get to spend hours trying to figure out what it's about. Don't count on sleeping for a few days after hearing this tune!

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Good songs, good musicians, so so singer

Electicism101

I really like this album, but I can't help feeling that the singer is letting down the songs, arrangements and the instruments. He's got some odd inflections and a narrow range and as a result the melodies end up a bit flat. Still an enjoyable listen, but could be better.

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To Know Them is to Love Them

e

The Long Winters are a band that too many people don't love yet. Every time I've played this album around someone who didn't know it, they immediately fell in love, got it, and it became a favorite. No two ways about it, this record will move in with you and you'll be inseparable.

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My All-Time Favorite Album

PegMc

This album snuck up on me during the late summer and fall of 2006. I was working on a political campaign and spending a lot of hours behind the wheel, oftentimes with my ipod as my only traveling companion. Fire Island appeared on a Paste Magazine sampler CD that summer and was utterly catchy and satisfying, and I found myself returning to it so often that I wanted to hear the rest of the album. Same thing happened with the rest of Putting the Days to Bed: my ipod is jammed with music but remained fixed on this album for two months and it has been in heavy rotation ever since. This band consistently manages to deliver wry, aching, unexpected lyrics cloaked in some of the most appealing hooks you'll ever hear. This album is the embodiment of why I love indie rock and the fact that Ultimatum and Teaspon haven't completely saturated the airwaves is further proof that there's just no need to bother with commercial radio. If you haven't heard them before, do yourself a favor and give it a t

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The Long Winters’ John Roderick is an understated songster and the indie rock canon is so lucky to have him. Since his 2002 debut, Worst You Can Do Is Harm, Roderick and his revolving door of musicians have offered a body of work that’s truly from the heart — a bitter, sweet, and sometimes sarcastic heart of gold and silver, and for fans of Nada Surf, Neutral Milk Hotel, and Sebadoh, the Long Winters keep true indie rock alive in the new millennium. Putting the Days to Bed finds Roderick writing his most intimate lyrics to date while also building upon the radiant pop sensibility of 2005′s Ultimatum EP. With a new lineup of consisting of Roderick
bassist Eric Corson, drummer Nabil Ayers and multi-instrumentalist Jonathan Rothman, the Long Winters maintained a pristine, straightforward approach in the studio. Death Cab for Cutie’s Chris Walla, who’s also appeared on previous Long Winters releases, is the one co-conspirator to return. He pounces behind the piano and adds a few riffs alongside Decemberists multi-instrumentalist Chris Funk on the honeyed daydreamer “Honest.” Such homegrown sweetness continues on “Hindsight,” which features Roderick’s brother Bart chiming in on the Hammond organ. But Roderick’s brilliance as an artist truly shines on the bigger pop cuts, and those who loved the enthusiasm of “Prom Night at Hater High” should revel in the brassy flavors of “Teaspoon” and “Pushover.” Really, brace yourself to sing your little heart out and dance like no one’s watching with Putting the Days to Bed. The slightly fuller sound may further accent the simplicity of the last two albums, but this change is purely part of the band’s natural progression. Roderick is that consistent in his craft. With a constant slew of new wave revivalists, the Long Winters always seem to arrive at the right time, and Putting the Days to Bed is one of the brightest albums to come out of 2006. – MacKenzie Wilson

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