III

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III album cover
Album Information
EDITOR'S PICK

Total Tracks: 23   Total Length: 64:08

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No Bubble and Scrape....

craigbfralick

but you owe it to yourself to listen to this. The expanded songs are for the diehards, but as a whole, this is a must have.

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Great album

frogkopf

Now that it's 12 credits, you owe it to yourself to download.

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Beautiful

mikemos

Whatever you think of Sebadoh, if you haven't heard this album you should. It's an amazing amalgam of noise, lo-fi and pop. Not every song soars but the collection as a whole is outstanding. There wasn't much like it when it came out.

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Alt/Punk Essentials

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Alternative music takes the risk of running against the flow of pop, and more often than not ends up leading it in a new direction. Punk rock shoves back even more forcefully against the restrictions of pop and culture, smashing its head against the wall until one or the other breaks. The best punk and alternative musicians of the past were often pariahs and outcasts at first: they didn't fit into any paradigm of music… more »

They Say All Music Guide

Along with Pavement’s Slanted & Enchanted, Sebadoh III is one of the cornerstones of ’90s indie rock, establishing the dubious lo-fi style as a credible subgenre. Though the recording techniques give the album a distinctive, hazy atmosphere, the music itself is fascinating. Divided between contributions from Lou Barlow, Eric Gaffney, and Jason Loewenstein, Sebadoh III doesn’t necessarily offer a coherent listen. Instead, it’s a variety of unexpected detours, with each track offering something different from what preceded. Barlow immediately distinguishes himself with his folky acoustic musings, which not only have sensitivity to spare, but also strong melodies. Gaffney, on the other hand, consigns himself to the role of hardcore noise rocker, often with varying results. Loewenstein falls between the two extremes, acting as a bridge between the two songwriters. With such a variety of styles and sounds, Sebadoh III is a kaleidoscopic summation of various American underground rock genres of the ’80s, as well as a launching pad for the introspective obsessions of ’90s indie rock. – Stephen Thomas Erlewine

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