essential
the phrase, i believe, is 'je ne sais quoi.' this sloppy, stripped down, all-over-the-place album managed to hit that elusive pleasure spot that makes you say, 'see, this is why i love rock and roll.' the messiness contains a kind of dangerousness and restless excitement, a band that can trip you out and scare you (evil bill), move you deeply (distortions), and then shift into overdrive 60s garage rock wildness (hippy death suite). they blend originality and derivation (check the first few lines to 'distortions,' their album art, etc.) in such a way that still sounds completely confounding and thoroughly refreshing. the more refined their sound became, the less i started to care, but this remains a standout classic in my mind. essential.