Recommended Tools

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Total Tracks: 10   Total Length: 65:02

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Britt Robson

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Britt Robson has written about jazz for Jazz Times, downbeat, the Washington Post and many other publications over the past 30 years. He currently writes regula...more »

09.02.08
The promising young sax star follows up his acclaimed In Pursuit and reaffirms his status.
2008 | Label: KOCH Records / Entertainment One Distribution

Perhaps knowing how tough it would be to top last year's In Pursuit, McCaslin instead changes the focus slightly to a piano-less trio, delivering another ferocious blowout that burnishes his luster among hardcore jazz heads. The exalted history of tenor sax backed by just bass and drums is topped by Rollins at the Village Vanguard and Coltrane on Lush Life, and Recommended Tools displays some of the sharp angles and breakneck bounce of those talismanic trio records.

The torrential flow of ideas and lower-register dips McCaslin executes during his unaccompanied, four-and-a-half minute solo on “The Champion” (dedicated to Brazilian composer-musician Hermeto Pascoal) is reminiscent of vintage Rollins (no mean feat), and his quicksilver yet rarely garrulous phrasing throughout harkens not only to Coltrane, but outside-inside altoists like Marty Ehrlich and Anthony Braxton. Even songs that begin as ballads or airy mid-tempo tunes, such as Strayhorn's “Isfahan” or McCaslin's own “Margins of Solitude,” inevitably turn up the intensity, abetted by the churning rhythm section of bassist Hans Glawischnig and drummer Jonathan Blake.

Recommended Tools is not as immediately accessible as In Pursuit, but neither is it technically daunting or laden with shrieks and whirlpooled cul-de-sacs. “Excursion” has… read more »

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They Say All Music Guide

After all these years, there are still some piano-loving jazz enthusiasts who resist the saxophone trio; they have a hard time getting into pianoless recordings that consist of only sax, acoustic bass, and drums. But as undeniably valuable as the piano has been to jazz, saxophone trios have a long history of doing exciting things. Sonny Rollins, John Coltrane, Joe Henderson, Branford Marsalis, Joe Lovano, and Ivo Perelman are among the many saxophonists who have excelled in a trio format, and that format definitely works nicely for Donny McCaslin on Recommended Tools. This February 2008 session finds the California-born tenor man forming a pianoless trio with acoustic bassist Hans Glawischnig and drummer Jonathan Blake; alto saxophonist Dave Binney produced Recommended Tools, and trumpeter Dave Douglas is the executive producer (although neither Binney nor Douglas actually play on the album). McCaslin enjoys a strong rapport with Glawischnig and Blake, and the influences that have served McCaslin well in the past (including Michael Brecker, Coltrane, Rollins, and Henderson, among others) continue to serve him well on Recommended Tools. But McCaslin (who was 41 when this 65-minute post-bop disc was recorded) is his own man; that is evident on his own compositions as well as Billy Strayhorn’s “Isfahan,” which is the only song on Recommended Tools that McCaslin didn’t write. Recommended Tools doesn’t go out of its way to be accessible; the album on the whole tends to be angular, cerebral, and abstract. But for those who don’t demand instant gratification from music, McCaslin’s trio performances with Glawischnig and Blake have a lot to offer. And while Recommended Tools isn’t McCaslin’s most essential release, it is a respectable demonstration of how effective the trio format can be for a skillful saxophonist. – Alex Henderson

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