Feed the Animals

Rate It! Avg: 4.5 (933 ratings)
ALBUM INFORMATION

Total Tracks: 14   Total Length: 53:21

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Making the familiar unfamiliar

tgreenin

Some people might question whether this album represents a creative artistic achievement, simply because of the nature of its production and construction. If true art works by "making the familiar unfamiliar," then Girl Talk has succeeded in creating a masterpiece. The meticulous and seamless weave of sonic material delights and surprises at every unpredictable turn.

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There's no reason I hould like this...

okayfine

but I do, for the catchy hilarity of juxtaposition.

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Best album of 2008!

stopbeatingme

Feed the Animals simply blows me away. I've listened to it numerous times and I'm still amazed at all of the subtleties and intricacies of it all. You really need to download the whole album - just one or two tracks won't convey the spirit or energy of this record. The closing track is a fist-pumping anthem that is the album closer of all album closers. How will he ever be able to top this?

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Not a Rap Fan

graciecat

but I AM a Girl Talk fan. His mixes are amazing! If you're offended by horrible rap lyrics, this isn't for you, but lyrics aside, this album is awesome. The wide variety of artists used in the mixes is outstanding. I listen to this album while at the gym and it will seriously pick up your workout :)

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Party time for sure

ToddD

This album is bound to get people of all types bobbing their heads to gether at your next party. It's way fun trying to disect all the seperate elements he has mashed together. Normally I'm not impressed with sample-based song creation but this guy takes it to a whole new level. Extremely clever without forgetting to rock the party.

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Party Music

StinaB612

I could care less about dance music usually, but the mix of every type of music makes this a record that can make anyone smile - just trying to pick out the familiar beats & bars that pop up all over the place.

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Put it on the party music mix

SpykeDaddy

Just slam this into your stereo when the party is going and people will stop and stare at you like, HUH? what is this? This music never fails to bring a smile to a listener's face. Great conversation starter as people try to figure out where all the rips are from. Try it!

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love it or hate it... just mash it

EMUSIC-00B8D6E8

art? well the acoustic version of pop art maybe. say what you will, despise it for it s pure artistic infringement, it is a good listen and has kept my feet pounding the pavement into many a run.

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I Hate Rap

clubbaker

Aside for nerdcore, I generally detest rap music. That being said, Feed the Animals is an amazing album. Fast paced, innovative use of unlikely samples, and balance between kitsch and seriousness. My biggest complaint is the use of profanity, sexual references, and drug references, make this album completely inappropriate for my children and some of my friends who are easily offended. Unfortunately, my teens somehow know most of what they have heard of the album.

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Makes you smile

LeadMomma

What I love about this record is it takes music that had passed through my life at one point or another and gives me a chance to experience it in a new and refreshed way. Makes me smile and giggle often.

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They Say All Media Guide

Released two years after 2006′s Night Ripper, in the same pay-your-price fashion as Radiohead’s In Rainbows, Girl Talk’s Feed the Animals finds Gregg Gillis continuing to reinvent the mash-up with his everything-but-the-kitchen-sink approach. For his last album, Gillis took the concept of bastard pop to a new extreme — not by merely syncing up two unlikely artists, but by taking up to 20 unlikely artists and mashing them together on particular tracks. Like a sequel to a big-budget summer blockbuster, Feed the Animals follows the formula that made Night Ripper a success and piles on even more action. This time, the material is taken from a wider genre pool, the samples are more fragmented, and the breakneck pacing is stepped up a notch. Where Night Ripper had approximately 150 samples scattered throughout, Feed the Animals scurries through 322 samples. Where Night Ripper succeeded because of its use of records that typical DJs wouldn’t dare spin, Feed the Animals is comprised of even riskier choices — with Gillis pulling more frequently from the annals of rock (borrowing from Megadeth, Argent, Temple of the Dog, Thin Lizzy, and AC/DC, among others), and diving deeper into the pool of irony (with Kenny Loggins, Chicago, Rick Springfield, Big Country, Journey, and on and on.) The old-school and Dirty South theme runs rampant over the backing beats, no matter their vibe, as thuggish lines like “Where I’m from, I see a dead body every day” and “You know that I’m liable to bust a cap ‘cuz it’s all about survival” coincide with the peaceful coos of Sinéad O’ Connor and the disco-funky keys of Hot Chocolate. With such a vast wealth of content, there’s a little of something for everybody: nostalgia for those who recall the originals, singalong hooks for fans of modern and old-school rap (courtesy of E-40, Chuck D, Jay-Z, Busta Rhymes, ODB, T-Pain, Eminem, Ice Cube, Ray J, Lil Wayne, and Kanye West), an anarchistic attitude and element of danger for fans of a bad boy aesthetic (no, he didn’t pay to use these samples — who could afford to?), and enough uber-precise slicing and dicing to inspire a new generation of DJs to follow in his footsteps. An enthralling post-modern mosaic of found art — a true masterpiece that you can dance to. – Jason Lymangrover

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