You Are All My People

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You Are All My People album cover
Album Information

Total Tracks: 14   Total Length: 41:14

eMusic Review 0

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Amanda Petrusich

eMusic Contributor

09.08.08
Jonathan Lethem has a band. And they're good!
2008 | Label: Bloodshot Records

It's impossible to talk about You Are All My People — I'm Not Jim's debut LP &#8212 without considering the collective's unlikely lineup, which includes acclaimed novelist Jonathan Lethem (Motherless Brooklyn, The Fortress of Solitude), Walter Salas-Humara of the Brooklyn indie-pop band the Silos and Chris Maxwell and Phil Hernandez of the production team Elegant Too (they previously provided original scores for Michel Gondry and Adult Swim). Lit-rock couplings are appropriately notorious: most are either vaguely insufferable (Lester Bangs and the Delinquents) or purposefully ridiculous (The Rock Bottom Remainders, which included, at various points, best-selling scribes Stephen King, Dave Barry, Amy Tan, Matt Groening, Barbara Kingsolver, Robert Fulghum and others).

Given the notion's dubious pedigree, it's astonishing how compelling and coherent You Are All My People is — save a few missteps (three Jim Carroll-aping spoken-word tracks), I'm Not Jim's first full-length is an impressive, atmospheric collection of electro pop bolstered by Lethem's words, Maxwell and Hernandez's sputtering production and Salas-Humara's craggy, defiant guitar and vocals. "Drink Til I'm Sober" is a twitchy, riff-and-beat-addled ode to excessive consumption that's delightfully base (it ends with the repeated promise "I'm gonna drive off a cliff"); "Uncomplicated"… read more »

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Very good stuff...

rattyjim

As the review mentions above, the main brain behind the group is an accomplished author named Jonathan, so he is the guy you want to hate, being multi-talented and all. But listen to the lyrics and you get the sense he's probably a salt-of-the-earth kind of guy. Some real witty stuff, without messing up the rest of the arrangement. The rest of the members do fine work with their respective jobs as well. I enjoyed all aspects of the title. If this is the kind of music you usually go for, then I highly recommend. I' also suggest doing the complete title, so you get the full flow of the work. What you hear in the samples continues throughout each song, in fact most finish stronger than they begin. I find it hard to believe I'd be one of the first to submit comment on, because this is a strong "buy" in my guide book.

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I'm curious about "Walks Into," which is sort of a mash-up of every "guy walks into a bar" joke ever told. Was it written that way, or did it come together in the editing? It seems like maybe I should give that thing the cover of saying it was some sort of improvisation or collage art, but actually there was a very deliberate written script for that, with the gaps all written as white space on… more »

They Say All Music Guide

Great novelists are not frequently great songwriters, and vice versa; not many people read Bob Dylan’s Tarantula for any reason beyond curiosity, and anyone who has heard the songs Thomas McGuane co-wrote with Warren Zevon knows they don’t rank high in either man’s pantheon. So fans of novelist Jonathan Lethem and singer/songwriter Walter Salas-Humara had good reason to be wary when the two teamed up with producers and multi-instrumentalists Phil Hernandez and Chris Maxwell to form a new musical project, I’m Not Jim. Thankfully, Lethem and Salas-Humara have turned out to be a strong and imaginative songwriting team, and I’m Not Jim’s debut album, You Are All My People, is clever, well-crafted pop music that represents a notable departure from Salas-Humara’s work with the Silos. Salas-Humara sounds looser, edgier, and more daring on these songs than he does with his own material, and while with Lethem at his side these tunes are wordier than the average Silos number, they maintain the tight focus and first-person perspective that works for a song rather than a story. Just as importantly, while “The Pitchers Gave Up” and “Uncomplicated” bear a close resemblance to the roots rock that’s the Silos’ bread and butter, Hernandez and Maxwell throw a wall of fractured electronics, keyboard pads, and rhythm beds against the melodies that turns them into something fresh and lively without robbing Salas-Humara of his musical personality. And while a few spoken word bits are included on the album, “Howard” is funny enough to keep things moving at a solid clip and the jumbled edits of “Walks Into” make it into something different than just an author’s reading. In short, you don’t have to be a literary groupie or a Silos completist to find plenty worth exploring in You Are All My People. – Mark Deming

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