Nature's Got Away

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Album Information

Total Tracks: 12   Total Length: 42:12

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Jessica Suarez

eMusic Contributor

Jessica Suarez is a writer and editor living in Brooklyn, NY. She is the senior editor at MTV Hive.

09.23.08
A strange and beautiful album about birds, trees, and sweet oblivion.
2008 | Label: K Records / SC Distribution

After more than dozen releases, Karl Blau still isn't as well known as past collaborators Phil Elverum and Laura Veirs. Appropriately, Nature's Got Away sounds like the work of someone accustomed to hanging in the background: Blau's dulcet piano and muted guitars sounds like he's playing the album at a comfortable distance. But Blau's got a way of occasionally jarring songs awake, especially when his voice turns strange tricks or his songwriting follows unlikely tangents.

Blau's woody baritone lends character to his songs. He sings about the birds and the trees, but his main concern is sweet oblivion: "Oh, to feel nothing, betwixt the tomb and the womb," he croons on "Nothing In The Way." When Blau explains human emotions on "Mockingbird Diet" he sings as though they stand between us and direct contact with nature. That's either profound philosophizing or drunken campfire talk; Blau doesn't care how it comes off. For every moment of sparse, halting drums and torch singing ("That's The Breaks"), there's a Thurston Moore impression ("Carry And Rob") or keyboard squiggles and Beck-like non sequiturs ("Moved On From Dreams"). A fog of guitar reverb creates a kind of pleasant, post-nap gauziness, and the repeated… read more »

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They Say All Music Guide

The growing freak folk movement in the Northwest has led to an outpouring of lo-fi artists who are strapping on ukuleles and making bedroom recordings for the first time. Released in the midst of all this, Karl Blau’s Nature’s Got Away comes off like the work of a seasoned pro in comparison — that is, a seasoned pro in the game of slop. If Calvin Johnson engineered a Nick Drake album with Money Mark helping out on the instrumentation, it would probably sound a lot like this. With Blau mellowing a touch after 2007′s Dance Positive, the songs are traditionally gritty lo-fi numbers with subtle organ nuances and laid-back shaker grooves ducked behind his autumnal acoustic strumming and gentle, buttery voice. Four-tracked in the cavernous environs of Dub Narcotic Studio, the production is suitably murky enough to fit within the charm of K Records’ catalog, and considering the tight camaraderie of the K Recs roster and Blau’s previous collective, Knw-Yr-Own, it’s not a surprise that he invited some friends from the indie music pocket to help out with his creation. Ten Olympians and Portlanders — including members of the bands Chin Up, Meriwether!, LAKE, and Sunn 0))) — lend their hands and mouths to the record, as well as Hush artist Greg Olin, who returns the favor to Blau for his appearance on Graves’ album Easy Not Easy. The musical-chairs, pass-the-guitar-to-your-neighbor, press-record-and-see-what-happens, ultra-lax vibe of the record makes for a quirky and esoteric release, but that doesn’t mean that it’s not good-natured and utterly hummable. After ten years of making records, with 15 or so never seeing a proper release, Karl Blau’s second release for K measures up as one of his most cohesive and folky to date, and also one of his best. – Jason Lymangrover

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